Episodic look at married life and in-law problems. Adventures include a ride on a crowded trolley with a live turkey; a wild spin in a new auto with the in-laws in tow; and a sequence in ... See full summary »
Fred C. Newmeyer,
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", ... See full summary »
Country Doctor, Jack Jackson is called in to treat the Sick-Little-Well-Girl, who has been making Dr. Saulsbourg and is sanitarium very rich, after years of unsuccessful treatment. His ... See full summary »
Fred C. Newmeyer,
John T. Prince
The young couple have decided to marry and it is time to ask the father for the hand of his daughter. Problem is, the father does not want to give the daughter away. So every time he goes ... See full summary »
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter's manager decides to build up the milkman's reputation in a series of fixed fights and ... See full summary »
The Uptown Boy, J. Harold Manners (Lloyd) is a millionaire playboy who falls for the Downtown Girl, Hope (Ralston) who works in Brother Paul's (Weigel) mission. In order to build up attendance, and win Hope's attention, Harold runs through town causing trouble, and winds up with a crowd chasing him right into the mission. He eventually wins the girl and they marry, but not without some interference from his high-brow friends.Written by
Herman Seifer <firstname.lastname@example.org>
This was one of Harold Lloyd's most successful films at the box office and the 12th highest-grossing film of the Silent Era. See more »
In the runaway bus sequence, when Harold is on the topless bus trying to gain access to the wheel, his boater is knocked toward the rear of the bus by the banner hanging over the roadway. In the next scene, we see him wearing the hat and climbing onto the bonnet of the bus. When he slips on the banana peel and falls down by the front lights he is no longer wearing the hat. When he crashes through the windscreen, again, the hat is not with him. When the motorcycle policeman attempts to ticket him, however, he grabs the boater from the inside of the vehicle and makes good his escape. See more »
The Grotto Cafe, in Slattery Square - Bohemian and table d'hokum.
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Fast moving Harold Lloyd comedy full of energy and sight gags...
There's a non-stop orgy of sight gags and pratfalls throughout this Harold Lloyd comedy, FOR HEAVEN'S SAKE. Lloyd is a carefree millionaire who is dazzled by a pretty mission girl from the other side of the tracks. Once they connect, it's love at first sight and from then on Lloyd tries to please the girl and her missionary father by bringing as many new clients to their sermons as he can.
He visits the local pool hall to round up a bunch of toughs by making them chase him through the streets. This leads to one of the wildest scenes in the movie as the foot chase is full of inventive gags. He succeeds in rounding up enough hooligans to fill the mission just as police arrive on the scene looking for stolen jewelry. Again, the situations are all played for broad comedy and most of it works.
The climactic chase aboard a double decker bus is wildly choreographed for maximum comic effect--but truth be told, by this time the slapstick has been piled on so thick that the final chase seems anticlimactic.
By the time it's all over, you realize that Lloyd has told a story with very little plotting involved. It's a thin yarn stretched out over a series of sight gags--all of which he executes with perfect timing. But enough is enough. It gets a bit wearisome before it's all over and boy ends up with mission girl. The End.
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