Financial broker Jimmie Shannon is nearly bankrupt when an attorney presents grandfather's will leaving him seven million dollars. In order to inherit the money Jimmie must marry before 7 pm on his 27th birthday - today!Written by
Ed Stephan <firstname.lastname@example.org>
Buster Keaton had this project foisted upon him by producer Joseph M. Schenck, who had bought the rights to the hit Broadway show. Keaton later called it his least favorite feature and tried to keep film historian Raymond Rohauer from restoring the only known copy of the movie. See more »
The stage doorman clearly vest-pockets his bribe as Buster enters to go backstage--yet then has the money in his hand again when Buster emerges to reclaim it. The doorman also pockets the money twice between shots. See more »
Based on the hit Broadway show by David Belasco and foisted upon him by his longtime collaborator and producer John M. Schenck, Buster Keaton regarded Seven Chances as his least favourite of his films, so much so that he tried to prevent a restoration from the one known copy. This is all considerably surprising and perhaps indicative of the professionalism the former vaudeville daredevil regarded his film work with, that despite his personal disaffection for the project, Buster Keaton turned it into a bonafide classic so very representative of his work. The basic story of a young man who must get married by seven o'clock that afternoon in order to inherit a vast fortune left to him by his deceased grandfather, becomes a setup, as Keaton tries his luck proposing to "anything that wears a skirt, including a Scotchman", for a huge uproarious chase scene in the second half on roads, mountains, land and water. Keaton being chased by an irate throng of brides through city streets and countryside is as iconic an image as Keaton being chased by the swarm of cops in his one-reeler Cops while many of the pratfalls and visual gags recall the breathtaking daring-do and ingenuity of his earlier SHERLOCK JR.
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