A cowardly young man, a bitter young woman and a helpless child live on the docks, spend their days full of ennui watching a dredge dig the same hole day in and day out, chased around by ...
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Joan and Magdalen are the daughters of a fisherman. Magdalen leaves her fiancé, Peter, to run off to the big city. Joan and Peter marry. Magdalen's return years later causes trouble for the... See full summary »
Josef von Sternberg
Charles K. French
Vienna in the biggest depression, directly after WW1. In a slum, Lila Leid, the wife of lawyer Leid is murdered, Egon, secretary of one of Leid's clients is arrested. He was with her, and ... See full summary »
Georg Wilhelm Pabst
In late 19th century Vienna, Lena Smith, a naive peasant girl from Hungary, has a child by a corrupt young cavalry officer, and goes to work his house as a servant, hiding the truth from ... See full summary »
Josef von Sternberg
Gustav von Seyffertitz
The story is set in the seamy Soho section of London, where burglar Basher Bill shares bed and board with his sluttish girlfriend Annie. As wicked as they come, Bill softens when he meets virtuous Salvation Army lass Elizabeth.
Nick Cochran, an American in exile in Macao, has a chance to restore his name by helping capture an international crime lord. Undercover, can he mislead the bad guys and still woo the handsome singer/petty crook, Julie Benson?
Josef von Sternberg,
A cowardly young man, a bitter young woman and a helpless child live on the docks, spend their days full of ennui watching a dredge dig the same hole day in and day out, chased around by the dredge workers. One day they up and decide to leave for the city together, after seeing a black cat.Written by
Ulf Kjell Gür
Although it cost only $5000 to make, half coming from a silent partner, von Sternberg bought out his partner, giving him 100% profit on his 50% investment and sold 50% of the rights of "The Salvation Hunters" to Joseph M. Schenck of United Artists for $20,000. See more »
I caught this on YouTube of all places and the copy was quite decent, with an appropriate musical score on a theater organ to accompany it. The inter-titles in the beginning set the tone - incorrectly - of a pretentious talk-a-thon but soon the images took over and Sternberg was able to show the world just how wonderfully talented he was with his camera. The enormous dredge seen throughout the beginning made a powerful statement. Its very size dwarfed the players and its angles provided an abstract geometry not seen in many films of the day. The purpose of this huge machine, as we are shown, was to scrape out mud which would subsequently fall back into the depths where it was found - further implying the uselessness of life for the protagonists. This initial feeling and their eventual "escape" to another world was essentially the plot. I enjoyed seeing this very much. It was one of the last films of the director I hadn't seen and I wasn't disappointed.
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