Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of...
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Joan Royle, beautiful but naive model who came from the slums, falls for Fred Ketlar, the leader of a dance band. When Fred's estranged wife Adele is murdered, Fred is arrested and ... See full summary »
Geoffrey, a young and impoverished writer, is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his ... See full summary »
Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
A wealthy young Southern aristocrat, Joseph, graduates from a seminary and, before he takes charge of his assigned parish, decides to go out and see what "the real world" is all about. He ... See full summary »
Tillie and Augustus Winterbottom are thought to be missionaries when they arrive to find Phineas Pratt trying cheat the Sheridans out of her father's inheritance, including a ferry ... See full summary »
A family of Polish refugees tries to survive in post-World War I Germany. For a while it seems that they are making it, but soon the economic and political deterioration in the country begins to take their toll.
A young orphan girl, courted by an unpleasant older wealthy man who has a hold over her adoptive mother, falls in love with a young stranger at a party. Odd noises begin to be heard as a ... See full summary »
Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of Judge Foster's friend, falls in love. When Sally is arrested McGargle proves her real parentage.Written by
Ed Stephan <email@example.com>
I am a great fan of W.C. Fields, and continue to study his life and especially his work that is available to us. This is the only movie currently available to me to judge his work as a confident silent movie actor and comedian. I admit that perhaps I am not coming to this movie with the best agenda to appreciate it as a film on it's own terms. This is a D.W. Griffiths film after all - the alleged father of movies as we know them today. Don't ask me. I wouldn't know if that's a deserved reputation or not.
I did enjoy this film. I thought Carol Dempster was good in her role, but of course I was more interested in the times when Fields is on screen. There are some specific moments for Fields fans to savour. The fleeting shots of his juggling skills, the first evidence of the subtle reactions and gestures that we know from his classic talkies of the 1930's, and the peanut cart disguise for a liquor cabinet that survives from his Zeigfield Follies days.
This won't be a movie I turn to as often as I do to the great W.C. Fields films of 1932-34, but I'm just so glad that it has not been lost to us as have been other of Fields silent film work.
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