At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ?Written by
A sound version of the film arrived in February 1930, grossing another $1 million. It has since vanished and is considered lost. See more »
When the Phantom tells Christine, "you shall bring me love!" he raises his hands above his head. It then cuts to a different angle and his hands are below shoulder height. See more »
[Christine sees a casket in the room]
That is where I sleep. It keeps me reminded of that other dreamless sleep that cures all ills - forever!
You - You are the Phantom!
If I am the Phantom, it is because man's hatred has made me so. If I shall be saved, it will be because your love redeems me.
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In 1925 (and for many years afterwards), credits used to appear at the beginning of movies. In "The Phantom of the Opera", the credits do appear at the beginning and are also repeated at the end, preceded by the following caption: "This is repeated at the request of picture patrons who desire to check the names of performers whose work has pleased them." See more »
Also available in a computer colorized version. See more »
Turner Classic Movies owns a restored copy of this film, which I saw from beginning to end for the first time last night. Thanks Ted!
For an 80 year old film, I was honestly swept away by the strengths of this production. OK, once you get past some of the hammy acting, remembering that it was completely de reguer for the time, you get caught up in it.
It has a very steady editing pace, which carries you along in the story, and so there are few, if any, slow points. The plotting and narrative are clear, there are no ' what did he say/mean' moments. The characters are pretty well filled out (there are a few exceptions, most notable the character of the boyfriend/hero) and so the plot wraps around you easily and enjoyably. The production values are amazingly high in this film, the recreation of the Opera (the grand staircase, the auditorium and the stage) the underground (the Phantom's lair, the underground river, the chambers and sub-chambers) and the exteriors were all created in Hollywood full scale. Unlike now, when we would have gotten some truly terrible CGI trash, when that chandelier drops from ceiling it's a real chandelier, it's a real ceiling and its really COOL!
Cant leave out the amazing secret that few if any talk about, but did you know that not only are certain scenes single color tinted, but there is an amazing 2 strip Technicolor sequence, the Masked Ball, that takes place on the grand staircase. Further, there is an stunning sequence that takes place on the roof of the Opera, the Phantom lurking on the parapet, his 'Red Death' costume from the ball billowing behind him in the wind while he stalks the heroine.
If you are expecting buckets of blood and Spiderman-like effects, this isn't the film for you. If you are looking for a fun film with romance, adventure and thrills in it, if you have an appreciation for classic film making, or just want a film you can watch with the kids, this one has a lot to offer.
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