The young Gascon D'Artagnan arrives in Paris, his heart set on joining the king's Musketeers. He is taken under the wings of three of the most respected and feared Musketeers, Porthos, ... See full summary »
Nigel De Brulier
King Louis XIII of France is thrilled to have born to him a son - an heir to the throne. But when the queen delivers a twin, Cardinal Richelieu sees the second son as a potential for ... See full summary »
Marguerite De La Motte,
In sixteenth century Padua, Hortensio loves Bianca, the youngest daughter of Baptista. But Baptista will not allow the two to get married until his eldest daughter, the extremely headstrong... See full summary »
Don Cesar de Vega, son of Zorro, is in Spain for his education. By way of education, he duels with Don Sebastian of the Queen's Guard (soon to be his rival for the hand of lovely Dolores de Muro), makes love, and befriends the visiting Archduke of Austria. But a quarrel ending in violence gives Don Sebastian the chance to dispose of his rival...by framing him for murder! Feigning suicide, Cesar escapes. Being a chip off the old block, a whip-wielding outlaw (this being his weapon rather than the sword) sets out to clear the name of Vega...Written by
Rod Crawford <firstname.lastname@example.org>
Ironically, the original DON Q novel did not feature Zorro; Fairbanks reworked the story into a vehicle for that character because he only possessed the rights to "The Curse of Captistrano," which was the story in which Zorro first appeared. See more »
The Mark of Zorro to me is one of the Douglas Fairbanks classics, and its sequel Don Q Son of Zorro is just as great and even on par with it. It looks spectacular with sets that look lavish and expensive and photography that positively sweeps. The music score rouses the spirits well enough and there is a sense of humour that has a strong presence and in a way that is still fresh. The story is well-paced and compelling with thrills, fun and adventure galore. It's conventional for a film starring Fairbanks and as an adventure film as well in a sense but not to a routine or simplistic degree, it is always easy to follow and still offers enough surprises. The action is full of energy and rousingly choreographed, never too much or too little and they move the story forward rather than slowing down. If you are looking for stunts that will leave you in awe, as you often find in Fairbanks's films, you will not be disappointed in Don Q Son of Zorro, they're unmistakably Fairbanks but don't feel rehashed. Donald Crisp directs with a deft and imaginative touch, and the characterisations are vivid enough, with the exception of Mary Astor who doesn't have a lot to do and comes across as bland as a result(shame as she has done a fair amount of stuff that I like). Crisp is especially good in support, he has rarely been more malevolent though not in a blatant way, and Don Sebastian is easily one of the nastiest villains of any Fairbanks film. Warner Oland is solid too if occasionally resorting to histrionics. Douglas Fairbanks is the most impressive though, the athletic stunts look so effortless when he does them and the gallant charisma and infectious smile makes him a most likable hero. To conclude, Mark of Zorro is still a classic and one of Fairbanks' greatest but Don Q Son of Zorro is just as great. 9/10 Bethany Cox
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