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Battleship Potemkin (1925)

Bronenosets Potemkin (original title)
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In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.

Director:

Sergei M. Eisenstein (as S.M. Eisenstein)

Writer:

Nina Agadzhanova (script by) (as N. F. Agadzhanovoy-Shutko)
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1 win. See more awards »

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Cast

Credited cast:
Aleksandr Antonov ... Grigory Vakulinchuk
Vladimir Barskiy ... Commander Golikov
Grigoriy Aleksandrov ... Chief Officer Giliarovsky
Ivan Bobrov ... Young Sailor Flogged While Sleeping (as I. Bobrov)
Mikhail Gomorov Mikhail Gomorov ... Militant Sailor
Aleksandr Levshin Aleksandr Levshin ... Petty Officer
N. Poltavtseva N. Poltavtseva ... Woman With Pince-nez
Konstantin Feldman Konstantin Feldman ... Student Agitator
Prokhorenko Prokhorenko ... Mother Carrying Wounded Boy
A. Glauberman A. Glauberman ... Wounded Boy
Beatrice Vitoldi Beatrice Vitoldi ... Woman With Baby Carriage
Rest of cast listed alphabetically:
Daniil Antonovich Daniil Antonovich ... Sailor
Iona Biy-Brodskiy Iona Biy-Brodskiy ... Student (as Brodsky)
Julia Eisenstein Julia Eisenstein ... Woman with Food for Sailors
Sergei M. Eisenstein ... Odessa Citizen
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Storyline

Based on the historical events the movie tells the story of a riot at the battleship Potemkin. What started as a protest strike when the crew was given rotten meat for dinner ended in a riot. The sailors raised the red flag and tried to ignite the revolution in their home port Odessa. Written by Konstantin Dlutskii <ked@falcon.cc.ukans.edu>

Plot Summary | Plot Synopsis

Taglines:

Revolution is the only lawful, equal, effectual war. It was in Russia that this war was declared and begun. See more »

Genres:

Drama | History

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Soviet Union

Language:

Russian

Release Date:

24 December 1925 (Soviet Union) See more »

Also Known As:

Battleship Potemkin See more »

Filming Locations:

Alupka, Crimea, Ukraine See more »

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Box Office

Opening Weekend USA:

$2,283, 21 January 2011, Limited Release

Gross USA:

$50,970, 15 January 2012
See more on IMDbPro »

Company Credits

Production Co:

Goskino,Mosfilm See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD) | (Blu-ray)

Sound Mix:

Silent

Aspect Ratio:

1.25 : 1
See full technical specs »
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Did You Know?

Trivia

The steps sequence in this film inspired the steps shootout scene in The Untouchables (1987). See more »

Goofs

During the Odessa Steps sequence as the mother walks with her son towards the oncoming troops, a long shot shows as she approaches, the soldiers halt one flight of stairs above the one she is on. In the next shot, however, the soldiers are marching down another flight of stairs as if they are going to walk right past her. Then in the next scene they have stopped again and are on the same flight of stairs as if they hadn't moved at all. See more »

Quotes

Student Agitator: Citizens of Odessa! Lying before you is the body of the brutally killed sailor Grigoriy Vakulinchuk, slain by a senior officer of the squadron battleship 'Prince Tavrichesky.' Let's take revenge on the bloodthirsty vampires! Death to the oppressors!
See more »

Alternate Versions

's premiere version opened with an unattributed quote from Leon Trotsky's "1905": The spirit of mutiny swept the land. A tremendous, mysterious process was taking place in countless hearts: the individual personality became dissolved in the mass, and the mass itself became dissolved in the revolutionary impetus. This quote was removed by Soviet censors in 1934, and replaced by a quotation from V.I. Lenin's "Revolutionary Days": Revolution is war. Of all the wars known in history, it is the only lawful, rightful, just and truly great war...In Russia this war has been declared and won. The original text was restored in 2004. See more »

Connections

Featured in Eisenstein in Guanajuato (2015) See more »

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User Reviews

 
Like Citizen Kane it's almost been TOO analyzed and cherished as a landmark, but still not without good reason
15 September 2005 | by MisterWhiplashSee all my reviews

If you're a film student, or were one, or are thinking of becoming one, the name Battleship Potemkin has or will have a resonance. Sergei Eistenstein, like other silent-film pioneers like Griffith (although Eisenstein's innovations are not as commonplace as Griffith's) and Murnau, has had such an impact on the history of cinema it's of course taken for granted. The reason I bring up the film student part is because at some point, whether you'd like it or not, your film professor 9 times out of 10 will show the "Odessa Stairs" sequence of this film. It's hard to say if it's even the 'best' part of the film's several sequences dealing with the (at the time current) times of the Russian revolution. But it does leave the most impact, and it can be seen in many films showcasing suspense, or just plain montage (The Untouchables' climax comes to mind).

Montage, which was not just Eistenstein's knack but also his life's blood early in his career, is often misused in the present cinema, or if not misused then in an improper context for the story. Sometimes montage is used now as just another device to get from point A to point B. Montage was something else for Eisenstein; he was trying to communicate in the most direct way that he could the urgency, the passion(s), and the ultimate tragedies that were in the Russian people at the time and place. Even if one doesn't see all of Eisenstein's narrative or traditional 'story' ideas to have much grounding (Kubrick has said this), one can't deny the power of seeing the ships arriving at the harbor, the people on the stairs, and the soldiers coming at them every which way with guns. Some may find it hard to believe this was done in the 20's; it has that power like the Passion of Joan of Arc to over-pass its time and remain in importance if only in terms of technique and emotion.

Of course, one could go on for books (which have been written hundreds of times over, not the least of which by Eisenstein himself). On the film in and of itself, Battleship Potemkin is really more like a dramatized newsreel than a specific story in a movie. The first segment is also one of the great sequences in film, as a mutiny is plotted against the Captain and other head-ups of a certain Ship. This is detailed almost in a manipulative way, but somehow extremely effective; montage is used here as well, but in spurts of energy that capture the eye. Other times Eisenstein is more content to just let the images speak for themselves, as the soldiers grow weary without food and water. He isn't one of those directors who will try to get all sides to the story; he is, of course, very much early 20th century Russian, but he is nothing else but honest with how he sees his themes and style, and that is what wins over in the end.

Some may want to check it outside of film-school, as the 'Stairs' sequence is like one of those landmarks of severe tragedy on film, displaying the ugly side of revolution. Eisenstein may not be one of the more 'accessible' silent-film directors, but if montage, detail in the frame, non-actors, and Bolshevik themes are your cup of tea, it's truly one of the must sees of a lifetime.


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