In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
Based on the historical events the movie tells the story of a riot at the battleship Potemkin. What started as a protest strike when the crew was given rotten meat for dinner ended in a riot. The sailors raised the red flag and tried to ignite the revolution in their home port Odessa.Written by
Konstantin Dlutskii <email@example.com>
The film censorship boards of several countries felt this movie would spread communism. France imposed a ban after a brief run in 1925; it lifted it in 1953 after the death of Russian leader Joseph Stalin. The UK banned it until 1954. See more »
In the firing squad scene, just before the mutiny, the ship's priest taps a crucifix upon his right hand, holding it in his left. As the shot cuts to a close-up of the cross, it instantly switches hands. See more »
Shoulder to shoulder. The land is ours. Tomorrow is ours.
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The 1926 premiere version had no cast list other than: Members of the Proletkult Theaters, Sailors of the Black Sea Fleet, The Sebastopol Fisherman's Union and the Inhabitants of Odessa. See more »
Quite a lot has been said about this film and its landmark importance in forming the language of film. If you are interested in film history, to truly understand the innovations Eisenstein brings to the medium you might try viewing Potemkin along side most any film made before it (those of D.W. Griffith offer a good contrast). It should be allowed that Eisenstein was not the only montage theorist and the principles of montage editing would likely have been discovered by another given time. However, even today, few directors have approached the skill with which Eisenstein created meaning through the combination of images at such an early point in the evolution of the medium.
If you are not interested in that sort of thing, Potemkin is still one of the most beautiful and moving films ever made. You should see it, buy it, and tatoo it to your chest.
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