A boy leaves his small country town and heads to the big city to get a job. As soon as he makes it big his sweetheart will join him and marry him. His enthusiasm to get ahead leads to some interesting adventures.
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A meek and mild projectionist, who also cleans up after screenings, would like nothing better than to be a private detective. He becomes engaged to a pretty girl but a ladies man known as the Sheik vies for her affection. He gets rid of the projectionist by stealing a pocket watch belonging to the girl's father - which he pawns to buy her an expensive box of candy. He then slips the pawn ticket into the projectionist's pocket and subsequently is found by the police. He doesn't have much luck but in his dreams, he the debonair and renowned detective Sherlock Jr. who faces danger and solves the crime. In real life, the girl solves crimes quickly.Written by
For the sequence in which Buster Keaton's "dream-self" enters the "movie within a movie," Keaton employed the power of suggestion. He shot an actual movie featuring Ward Crane and Kathryn McGuire in a living room setting. As the sequence begins, the movie is playing on the theater movie screen. The film cuts back and forth between Buster sleeping in the projection booth, and his "dream-self" climbing on stage as the movie is showing. In the scene where Buster's "dream-self" steps through the movie screen and into the movie, the living room setting was re-created on the theater stage, and a large hole was cut in the movie screen for Keaton to step through. The actors were placed in the living room setting, creating the illusion that Buster stepped inside the movie screen to join them. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
The best silent I have seen yet.. Buster Keaton's a film genius for making a movie like this.. the scenes where the film surroundings change while Buster is in the film is hilarious and even seems hard to make as a realistic special effect today. His stunts are great and its amazing that he did them himself. They're all perfectly timed and done and look as hard as they must be. This movie is one of the best.. Not a single sound the whole movie and I enjoyed it greatly.. Keaton is without a doubt the best comedian.. better than Chaplin or anyone else.
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