In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A meek and mild projectionist, who also cleans up after screenings, would like nothing better than to be a private detective. He becomes engaged to a pretty girl but a ladies man known as the Sheik vies for her affection. He gets rid of the projectionist by stealing a pocket watch belonging to the girl's father - which he pawns to buy her an expensive box of candy. He then slips the pawn ticket into the projectionist's pocket and subsequently is found by the police. He doesn't have much luck but in his dreams, he the debonair and renowned detective Sherlock Jr. who faces danger and solves the crime. In real life, the girl solves crimes quickly.Written by
Following his "entrance" into the "movie within a movie," the scenery changes around Buster Keaton very quickly, as if the movie is changing scenes with quick edits (he suddenly finds himself on a crowded city street, in the jungle confronted by lions, on a rock in the middle of the ocean, etc.). Keaton later recalled that his cameraman, Byron Houck, had used surveying instruments to position himself and the camera at the exact correct distances and positions to give the illusion of continuity as the scenes changed. See more »
After Sherlock Jr spins the fence around placing his pursuers behind it, he puts a crossbar across the gate to stop them coming back. In the next shot as he leaves the alley, the crossbar is no longer visible on the fence. See more »
We are lost! He is sending for the world's greatest detective - Sherlock Jr.!
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In 1999, Kino Video distributed a 45-minute version of this film, with a music score composed by and performed by the Club Foot Orchestra. See more »
Not only is this Buster Keaton's best film, but it is among the greatest achievements in the history of cinema, period. While it is not a feature-length film--and thus barred from most critics' lists of great films--it invented just about every single basic special effect known to movies (except for morphing). The story itself, about a film projectionist who desires to become part of the movies, and then does, by walking right onto the screen, made palpable the desire that we all have to be in the movies: To get the girl, to be an action hero, to outsmart the bad guys. Keaton invented meta-cinema before anyone even had a phrase for it.
This movie has entered our dreams.
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