Gloria Swanson plays Tessie McGuire, a shopgirl who, when her boyfriend breaks their date one evening, goes to a party with a louche crowd of artists and hangers-on. She wows them with some ... Read allGloria Swanson plays Tessie McGuire, a shopgirl who, when her boyfriend breaks their date one evening, goes to a party with a louche crowd of artists and hangers-on. She wows them with some zesty mimicry, and so gains an introduction to a better-paying job, impersonating a high-t... Read allGloria Swanson plays Tessie McGuire, a shopgirl who, when her boyfriend breaks their date one evening, goes to a party with a louche crowd of artists and hangers-on. She wows them with some zesty mimicry, and so gains an introduction to a better-paying job, impersonating a high-toned Russian countess to attract snobby customers into a dressmaker's establishment.
- Awards
- 2 wins
- Bippo
- (as M. Collosse)
Storyline
Did you know
- TriviaGloria Swanson had never held down a customer service job, or any form of employment outside of acting, so she spent two days at Gimbel's Department Store in New York working as a sales clerk to prepare for her role as Tessie. While there, she managed to successfully remain disguised beneath a blonde wig. She got competitive enough to try and out-sell her co-workers, none of whom recognized her.
- ConnectionsFeatured in All Star Revue: Episode #2.25 (1952)
The story is introduced with a wordy but intriguing title card: "The world lets a girl think that its pleasures and luxuries may be hers without cost—that's chivalry. But if she claims them on this basis, it sends her a bill in full, with no discount—that's reality." Based on that intro alone a viewer might expect the sort of light comedy of manners Swanson had been making for director Cecil B. DeMille a few years earlier (the moralistic prose certainly smacks of DeMille) but the opening scenes make it clear that we're in for something earthier and more fun. Tessie McGuire is a gum-chewing gal who wears a silly hat adorned with fake fruit—the kind of hat Gloria Swanson, legendary clothes-horse, wouldn't have been caught dead wearing in reality, but somehow she doesn't come off as patronizing in this role. Within a few moments we adjust and accept her as a hard-working clerk from Thorndyke's department store, weary and footsore after a long day's shift on the job. After leaving the store our bleary-eyed heroine heads for the subway, and the sequence that follows is a classic: the petite Tessie is shoved every which way as she crams herself into the train, squeezes uncomfortably between two large men, and even gets hoisted into the air, accidentally, as she attempts to retrieve the contents of her dropped purse. Adding insult to injury, a gross looking guy winks at her, and she can't even get out easily when the train reaches her station, as mobs of incoming commuters repeatedly force her back in. This sequence scored a particular hit at the recent Film Forum screening, earning big laughs from New Yorkers who deal with this stuff every day!
The subway scene is deservedly famous, but the movie is just getting started. We learn that Tessie has a boyfriend named Jimmy (Tom Moore), a garage mechanic who is convinced that his car-related invention will make a fortune, enabling them to get married and live well. Tessie is supportive, but frustrated that Jim's heavy work schedule doesn't allow them much time together. When circumstances permit her to go to a swanky party with a girlfriend, she goes, and this is where things really take off. Tessie scores a hit with the swells, although it's clear (in another comic highlight) that she's baffled by the pretentious party chat flying back and forth. Guests include a number of wealthy and powerful people along with prominent artists and performers; among the latter is real-life Ziegfeld Follies star Ann Pennington, who dances with her stage partner Brooke Johns. Tessie—who has had a drink or two—performs her own version of the dance, loses her drawers, and takes a tumble, but somehow charms a handsome artist (Ian Keith) who engages her as a model and then dresses her in a wacky pseudo-Asian outfit that looks like a parody of Betty Blythe's Queen of Sheba. When the modeling gig doesn't work out, Tessie is engaged by the owner of a Park Avenue salon who hires her to pose as an exiled Russian countess and lend his establishment a touch of exotic class. Tessie's new employer is portrayed by Frank Morgan, already playing roués at age 34, and looking very much as he would throughout his entire career. (At the screening I attended I overheard a young woman exclaim: "Wow, the Wizard of Oz as an old lech!") Tessie's new job is certainly a step up from the department store, but her disguise is threatened when she is confronted by an actual Russian exile; her escape from exposure is ingenious and amusing.
As Tessie's strange career lurches along she comes into conflict with Jimmy, and unfortunately the story takes a brief sentimental turn towards the end, but I think it goes without saying that romantic comedies like this one always end happily once the misunderstandings are ironed out. Manhandled is not a plot-driven film, and a simple scene-by-scene description of what happens in it really doesn't do it justice. This movie is driven by Gloria Swanson's beautifully calibrated performance: it's her priceless facial expressions as she's chewed-out by her boss at the department store, her tipsy maneuvering at the party, her Pola Negri send-up when she masquerades as a Russian countess. She's terrific, and seeing this film makes me wish she'd appeared in more comedies, and that this one could be more readily accessible for modern viewers. Swanson could do a lot more than play crazy Norma Desmond, and this film is ample and highly enjoyable proof of that.
Details
- Runtime1 hour 15 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1