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Kino Eye (1924)

Kinoglaz (original title)
This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls,... See full summary »

Director:

Dziga Vertov

Writer:

Dziga Vertov
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A series of newsreel films from Dziga Vertov, Elizaveta Svilova, and Mikhail Kaufman which document Russian Life in the early 1920s.

Director: Dziga Vertov
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Storyline

This documentary promoting the joys of life in a Soviet village centers around the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread. Written by George S. Davis

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Genres:

Documentary

Certificate:

Not Rated
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Details

Country:

Soviet Union

Release Date:

31 October 1924 (Soviet Union) See more »

Also Known As:

Kino Eye See more »

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Technical Specs

Runtime:

Sound Mix:

Silent
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Connections

Referenced in Il mnemonista (2000) See more »

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User Reviews

 
The Edge of Avant Garde Cinema
4 April 2011 | by jayraskin1See all my reviews

This is a fantastic film from Dziga Vertov. It is quite personal and yet shows the intense and varied activities of numerous people in the Soviet Union of 1924. It is as artistic and creative as anything being done in the United States or Germany at the time. It was cutting edge cinematic constructivism.

It is interesting to compare this film with Vertov's "Three Songs of Lenin" ten years later. While "Kinoeye" is interested in showing the truth about life and the world, "Three Songs" is only interested in dogmatic praise of Lenin. The two films show the difference between the Soviet Union of Lenin and the Soviet Union of Joseph Stalin. This film shows people drinking, smoking, taking cocaine, and joking. We see disfigured people in an insane asylum, we see a homeless boy sleeping in the streets and a man who died in the streets. In contrast to this, in "Three Songs," everybody is heroic and everybody is marching forward, there are more machines than people, and the film suggests that Lenin magically solved all the problems of the past. One can argue that the Soviet Union was facing the threat of Nazi Germany in 1934 and therefore needed heroic militaristic films to inspire their people. The same images of poverty and people just surviving day to day, that we get in "Kinoeye" would not have inspired people faced with the threat of Nazi insanity.

These things are hard to judge, but when socialist realism turned into socialist heroism and only showed the good and strong instead of showing everything, I think it took a big step away from the truth. I should like to think that Lenin would have loved "Kinoeye" and hated "Three Songs of Lenin". After all, he never flinched from looking upon and seeing the darker sides of reality.


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