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Kean (1924)

When a famous Shakespearean actor falls in love with a woman above his station, his professional and personal life begin to crumble.

Director:

Alexandre Volkoff

Writers:

Alexandre Dumas (play) (as Alexandre Dumas père), Kenelm Foss (screenwriter) | 2 more credits »
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Cast

Credited cast:
Ivan Mozzhukhin ... Edmund Kean (as Ivan Mosjoukine)
Nathalie Lissenko ... La comtesse Elena de Koefeld
Pauline Po Pauline Po ... Ophélie / Juliette
Otto Detlefsen Otto Detlefsen ... Prince of Wales
Mary Odette Mary Odette ... Anna Danby
Kenelm Foss Kenelm Foss ... Lord Mewill
Nicolas Koline Nicolas Koline ... Solomon - le souffleur
Georges Deneubourg Georges Deneubourg ... Comte de Koefeld (as G. Deneubourg)
Albert Bras Albert Bras ... Le constable
Rest of cast listed alphabetically:
Joe Alex Joe Alex
Jules de Spoly Jules de Spoly
Konstantin Mic Konstantin Mic
Pierre Mindaist Pierre Mindaist
Laurent Morléas Laurent Morléas
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Storyline

By 1820, Edmund Kean is the most admired Shakespearan actor. But if his art is peerless, his free lifestyle is ill thought of, particularly by the high society. Kean has fallen passionately in love with Countess Elena de Koefeld, the wife of the ambassador of Denmark. Elena loves him too but hesitates to give up her rank in society and follow Kean. On the other hand, Anna, a rich heiress who refuses to marry Lord Mewill, the husband chosen by her parents, confesses her love for Kean and decides to become an actress like him... The aristocrats, outraged by Edmund's profligate ways, decide to boycott his performances and his career is broken. Kean does not recover from such a blow and, on a stormy night, dies in Elena's arms. Written by Guy Bellinger

Plot Summary | Add Synopsis

Plot Keywords:

impressionism | based on play | See All (2) »

Genres:

Drama

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Details

Country:

France

Release Date:

15 February 1924 (France) See more »

Also Known As:

Alla kvinnors avgud See more »

Company Credits

Production Co:

Films Albatros See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Ivan Mozzhukhin's death scene is considered to be the longest in cinematic history--between 16 and 20 minutes, depending on the speed of the projector. See more »

Connections

Version of Kean (1983) See more »

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User Reviews

 
Splendid performance by Mosjoukine
20 May 2005 | by RosabelSee all my reviews

It is fitting that Ivan Mosjoukine, the first great male superstar in European film, should get to play the great English theater superstar, Edmund Kean in this adaptation of Dumas's play. This is fiction, based on historic characters, and not an attempt to present a real biography. It's an ecstatic portrayal of an artist trying to keep his balance between a world of social boundaries and moral rules, and the unlimited, revolutionary freedom of his art. Poor Kean tries to live in both worlds at once; he is in love with a titled lady whose social position is too high above his own, and in his work he can give voice to his passions and longings through his performance of Shakespeare. The two finally collide in the middle of a disastrous performance of 'Hamlet', where Kean breaks through ALL the boundaries at the same time - voicing his love, and his hatred of injustice, and even of the limitations of his art. When he breaks the 4th wall and accuses the Prince of Wales, he also breaks the play and ends up broken himself. Mosjoukine is his usual wonderful self in this film. Naturally, in a movie subtitled 'The Madness of Genius', he has some good opportunities to do his famous mad-scene acting, particularly with those brilliant eyes. His manic dancing and drinking in a tavern are wonderfully energetic and driven, and it's only a wonder that all the people around him didn't come away from the scene with scorch marks. Mosjoukine is always a wonderful and vulnerable lover - in the scene where he's told that his boyishly impulsive gesture of sending roses to the woman he loves has been rejected and ridiculed, his reaction is just a marvel of controlled acting. He's feeling anguish, grief, rage and humiliation, and the viewer watches breathlessly as the seconds tick by and he holds them all in balance, so that we can't predict which one is going to win out. Is he going to collapse in tears or explode in rage? It's impossible to know until it happens. Despite the high drama of much of the film, as this is Mosjoukine, comedy is never very far away. There is a scene where he tricks his creditors and manages to elude them, which makes him so happy he actually dances a little jig on screen. His own high spirits are always infectious and leave you smiling and hoping he'll win. The movie even throws in a funny little joke, showing the two main women in the story in their respective bedrooms fantasizing about Kean, just as the women in the audience watching the movie doubtless fantasized about Mosjoukine. This is a fine, exuberant showcase for Mosjoukine's splendid acting talent.


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