A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, ...
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A long series of unrelated images, revolving, often distorted: lights, flowers, nails. A lightboard appears from time to time carrying the news of the day. Then, an eye. A woman in a car ... See full summary »
A spiral design spins dizzily. It's replaced by a spinning disk. These two continue in perfect alternation until the end: a spiral design, a disk. Each disk is labelled and can be read as ... See full summary »
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in ... See full summary »
Kiki of Montparnasse,
André de la Rivière,
Black and white rectangular images fade in and out of the screen. Their movement make them sometimes look like they're panning from side to side. Their movement also make the black and ... See full summary »
Mannequin hands hold a pair of dice. A castle is perched on a hilltop. Below it, a posh, modern villa. Meanwhile, far from Paris, two men with masked faces play dice in a bar. They decide ... See full summary »
Le Comte de Beaumont
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The ... See full summary »
A pulsing, kaleidoscope of images set to an energetic soundtrack. A young women swings in a garden; a woman's face smiles. The rest is spinning cylinders, pistons, gears and turbines, kitchen objects in concentric circles or rows - pots, pan lids, and funnels, cars passing overhead, a spinning carnival ride. Over and over, a heavy-set woman climbs stairs carrying a large bag on her shoulder. An Art Deco cartoon figure appears, dancing. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.Written by
George Antheil wrote the score for this film, but due to various disagreements - including that Antheil's original version of the music ran 30 minutes while the film was only 16 minutes - the film was premiered without the original music. The film and music were first shown together on 25 August 2000 in Antwerp, Belgium, at the Cultuurmarkt van Vlaanderen. The film print with music was created by Paul Lehrman. See more »
There are various existing versions of this film. However, the one thought to be closest to the version premiered in Vienna in 1924 is a print found in 1975 by Lillian Kiesler, widow of Frederick Kiesler, who arranged the premiere. This version has been preserved by Anthology Film Archives of New York. See more »
This one is available online bearing various running-times (the longest being 18 minutes); for the record, the print on Kino's DVD edition within their 2-Disc collection AVANT-GARDE: EXPERIMENTAL CINEMA OF THE 1920s AND '30s is a mere 11 minutes, with the one I eventually settled on for this review clocking at 16!
It is among the more famous efforts in that set and one which boasts the approval (as per the opening scrolling text) of none other than Sergei M. Eisenstein as among the rare(?!) masterpieces of French cinema, while "Charlot" (i.e. Charles Chaplin as he was known in France) is given an early "presents" credit! In retrospect, the Russian master of film montage must have surely appreciated its rapid-fire cutting and industrial aptitude (in keeping with his Communist beliefs). That said, the most lasting image here depicts a chubby woman being repeatedly made to go up and down the stairs.
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