Harold Van Pelham (Lloyd) is a hypochondriac, rich businessman who sails to the tropics for his 'health.' Instead of the peace and seclusion he is seeking, he finds himself in the middle of a revolution. He is imprisoned where he befriends the friendly giant, Colosso (Aasen), and they engineer an escape. Together, they quell the revolution.Written by
Herman Seifer <email@example.com>
Come and See the Enormous Giant, 8ft. 9in. high, who helps Harold Quell a Revolution in Six reels of the cleverest and funniest humor imaginable. (Print Ad-The News,(( Hobart, Tasmania)) 15 August 1925)
Last film of Harold Lloyd's at Hal Roach Studios. See more »
When Harold shots the cannon on Colosso's back at the raft on the river, a bag containing the explosives hanging on a wire across the river is briefly visible before it detonates. In a following shot, the bag containing explosives on the side of the bridge deck is also briefly visible before it goes off. Still later the same scenario occurs when Harold accidentally shoots the hen-house with Pipps inside - the bag is visible above the ground with a wire running from it off to the right. Wires are also visible that are attached to the hen-house to pull it apart when the explosion happens. See more »
Very Entertaining, With Lots of Good Absurdist-Style Humor
This is one of Harold Lloyd's most entertaining comedies, with Lloyd, Jobyna Ralston and John Aasen making good use of a variety of material, especially a lot of Absurdist-style gags and routines. It starts just a little slowly in setting things up, but once it gets going, there are a lot of good laughs without a slow stretch.
Lloyd plays a good-natured but completely oblivious upper-class hypochondriac who travels to the tropics for a rest, and finds himself in the middle of a chaotic revolution. His naive initial reactions to the situation are quite amusing, and few screen comics could have pulled them off as well as Lloyd does.
As things get hotter for Lloyd and Ralston, the hilarious giant Colosso (Aasen's character) joins the madness, and that leads to some even more humorous gags. The lengthy sequence resulting from the first meeting between Harold and Colosso is very cleverly done, squeezing more than you would ever have guessed possible out of a simple situation. Afterward, Colosso's size and strength are used in many imaginative ways, with a lot of rather elaborate sight gags that are set up nicely.
The whole thing works very well. Once everything is set up, it flies by so quickly that it seems only to have taken a fraction of its running time.
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