The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy ...
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Two wagon caravans converge at what is now Kansas City, and combine for the westward push to Oregon. On their quest the pilgrims will experience desert heat, mountain snow, hunger, and ... See full summary »
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.Written by
Ed Stephan <email@example.com>
In October, an excavation team from Applied EarthWorks uncovered one of the 21 Sphinx statues from this production at the Guadalupe Sand Dunes. The 15-foot-tall statue, made of thin plaster of Paris, was carefully extracted over a period of eight days, from October 6th to 14th. See more »
When the Red Sea is parting, it's clear that the filmed footage was played in reverse. See more »
Redding - an Inspector:
Listen Boy - 'every day in every way' we're getting slicker and slicker! But we're building this church on filled ground - and I tell you it isn't safe!
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In the early twenties, it was perfectly alright to show sinners revelling extravagantly and unashamedly in the sins of the flesh. All you had to do was either punish or purify them in the end, and everything would turn out just fine. This is the lesson we learn from watching the second half of Cecil B DeMille's gargantuan epic or 1923. And it is the prologue of the movie that teaches us that deMille had more money to spend on his own films than the old man upstairs.
As a lavish production, TTC is probably one of CBdM's greatest achievements, surpassing in quality and size the 1950s remake, Cleopatra (1934) and all billion-or-so versions of The Squaw Man, all of which deMille would directed. His handling of his actors, his attention to detail and unbridled imagination call to mind a time when you could spend whatever amount of money you wanted on a film without being Jerry Bruckheimer.
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