Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (who Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ...
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One of the first feminist movies, The Smiling Madame Beudet is the story of an intelligent woman trapped in a loveless marriage. Her husband is used to playing a stupid practical joke in ... See full summary »
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (who Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally running nine hours, this epic tragedy is notable for the way it foreshadows Gance's later 'Napoleon' in its use of innovative cinematic devices, particularly rapid cutting.Written by
Michael Brooke <firstname.lastname@example.org>
Abel Gance came up with the idea for this film the day his wife, Marguerite Danis, was diagnosed with tuberculosis. Gance completed editing on the 32-reel film on 9 April 1924, hours after Danis died. See more »
When Sisif is running in front of the locomotive, the first shot has the locomotive numbered 475. In subsequent shots, the number on the loco is 2013. See more »
[Sisif imagines the Train is talking to him]
"I will always be true to you, and when you're feeling sad, I will talk to you of her and you will hear her ethereal melancholy in the song of my wheels, in the everish pounding of my connecting rods, in my smoke-filled sighs."
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A horrific train accident leaves a baby alone in the world, when a railway worker takes it in and raises the little girl as his own, alongside his own son, who was practically a baby, too. But, because they are never told they aren't blood relation, their relationship feels very awkward for them as they age, as they feel an attraction that is never said but is felt very much so. As the girl blossoms into a young lady, she has suitors who admire her and one in particular who proposes. From there on, it gets tragic with developments that make her marry him when she didn't really want to and the secret comes out about the brother and sister being not kin, making the son mad at the father. The father is blinded by way of an unfortunate accident, and that only exacerbates the fact that he is a drinker, who now only feels sorry for himself. The film may be well-regarded for its artistry and grandness, but to me it feels dated and seems to wallow in the misery of the lead characters too much with not enough action; they're only walking around and wailing, particularly the father and daughter. It amazes me that this four hour movie was actually much longer but was cut, as I felt it to be too long as it is. I admit the opening fade in was very moving with the shot of the father, but as the movie went from the 2-hour mark to the end, its tragedies come across rather surreal and the ending leaves the viewer with a weird What just happened?. Obviously I don't appreciate this work of art that others may love and defend.
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