In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first ... See full summary »
The likeable and carefree Grand Duke of Abacco is in dire straits. There is no money left to service the State's debt; the main creditor is looking forward to expropriating the entire Duchy... See full summary »
When farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria's love) and finds a job as old Count Rudenberg's secretary. His ... See full summary »
Lorenz Lubota is a city clerk with no direction in life. One day on his way to work he is run over by a woman driving a chariot and he is immediately infatuated with her. His life begins to spiral out of control as he searches for this girl and tries to win her heart.Written by
This movie was considered lost for a long time but is now available in good condition. See more »
When Lorenz'a Aunt Schwabe reads his letter of termination, she is wearing gloves, but the close up of the letter shows a bare hand holding it. See more »
In the opening credits Lya De Putti only appears credited as Mellitta. The "actress" who plays the role of Veronika Harlan appears credited only as "x x x". See more »
In 2003, Flicker Alley, LLC copyrighted a new digital version with English intertitles and a new orchestral score composed, arranged and conducted by 'Robert Israel (II)'. It was produced by Jeffery Masino and runs 117 minutes. See more »
A much underestimated movie. I've seen several of Murnau's flicks, and while I am the generally a big fan of his work, this one is actually one of my favorites. In a dreamlike manner it tells a story of main character's obsession with a manipulative and cruel woman. His love and desire makes him lose his senses - to a point where object of his passion becomes like a haunting spectre, a phantom. In some way Phantom is a forecast of another german picture, the famous Blaue Engel. Although the plot in one way or another has become a Hollywood cliche over the years, the movie is dark, strange and compelling. Murnau's depiction of insanity, especially in the final scenes is by itself a milestone of cinema.
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