Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
Professor Bosco, a poor flea trainer, rents a bed in a flophouse. Before going to bed, he rallies his troops and once he has made sure his beloved fleas are settled for the night, the ... See full summary »
Charlie is an expert bricklayer. He has lots of fun and work and enjoys himself greatly while at the saloon. As he leaves work his wife takes the pay he has hidden in his hat. But he steals her purse so he can go out for the evening. He has a terrible time getting home on a very rainy night. When he does so he finds his wife waiting for him with a rolling pin.Written by
Ed Stephan <email@example.com>
Pay Day is definitely one of the best of all of Charlie Chaplin's early short comedies, and that's not even just because it is now placed at the end of The Gold Rush, Chaplin's own favorite of his films. Charlie plays a construction worker who shows up to work late to a job at which his boss is clearly a tyrant. The part where Charlie is in the ditch strenuously digging and only coming up with tiny bits of dirt is one of the funniest parts of the entire film. And then, of course, you have the classic brick throwing scene, which was sure to have knocked people off of their seats when they first saw it in 1922.
But Pay Day is not just another slapstick comedy, it's also got one of the better stories of Chaplin's early, short films. His misadventures at work set up the scene for his underpayment (which seemed not to be enough pay because Charlie was uneducated and added wrong 2+2+2+2=9), and his eventual confrontations with his beast of a wife. When she takes nearly all of his paycheck, he sneaks away to a bar to get drunk, finally making it home at 5am, only to find his horrendous wife sleeping with a rolling pin. It is another classic moment when he sneaks into the bathroom (hoping to have convinced his wife that he has already left for work) and goes to jump into the bathtub full of laundry, only to find that it is also full of water.
While Pay Day does present a steady stream of slapstick comedy (which was, of course, one of Chaplin's greatest skills), it is also a fairly involved story, which few of his short films had, but which were almost always very well done. He again presents the predicament of the working man, both in his work environment as well as an amusing comment on the working man's home life. If you are interested in Chaplin's work or in slapstick comedy in general, Pay Day is a must see.
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