In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Wisbourg, Germany based estate agent Knock dispatches his associate, Hutter, to Count Orlok's castle in Transylvania as the Count wants to purchase an isolated house in Wisbourg. They plan on selling him the one across the way from Hutter's own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter's trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter does manage to sell the Count the house, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in the daytime when the Count is unusually asleep. Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisbourg, causing death along his way, ...Written by
The film was shot between August and October 1921. See more »
When Orlok has loaded the crates onto the cart, he climbs into the last one and the lid "levitates" into place. This magic trick is achieved by stop-motion animation, but the cart horses do not hold their position and shatter the illusion (their heads jerk about completely unnaturally while the lid is in motion). See more »
[And when he crossed the bridge, the phantoms came to meet him]
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There are a confusing number of different surviving prints, restorations and alternate versions of Nosferatu. In the main, there are three 'complete' restorations and two incomplete, partially-restored versions. All five are available on DVD, while the latest two restorations, from 1995 and 2006, are also on Blu-ray. In addition there are countless low-quality public domain DVDs with different lengths, running speeds and soundtracks. All are derived from a single print held by the Museum of Modern Art (MoMA). They usually have replacement American intertitles and are always in black and white; the film was originally color tinted throughout and only meant to be seen that way. This comprehensive article explains all of them simply and clearly: Nosferatu: The Ultimate Blu-ray and DVD Guide. See more »
F.W. Murnau directs this unauthorized version of Bram Stoker's novel, Dracula. NOSFERATU is arguably the earliest surviving screen version depicting the 'Prince of Darkness'. This German production deviates slightly from the original, but the now familiar story we all know by heart is intact. Count Dracula becomes Count Orlok and journeys to Bremen, Germany instead of London. His physical appearance is not dashing, mesmerizing or even mystical; but much resembles the rats that frequently accompany him. I find this the most eerie of all that would follow. The accompanying organ music background makes this scratchy black and white silent film an essential masterpiece. Max Schreck is immortal as Nosferatu/Count Orlok.
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