Nanook of the North (1922)

In this silent predecessor to the modern documentary, film-maker Robert J. Flaherty spends one year following the lives of Nanook and his family, Inuits living in the Arctic Circle.

Director:

Robert J. Flaherty

Stars:

Allakariallak, Alice Nevalinga, Cunayou

1 win.

Cast

Complete credited cast:
Allakariallak	...	Nanook (as Nanook)
Alice Nevalinga	...	Nanook's Wife - the Smiling One (as Nyla)
Cunayou	...	Cunayou -Nanook's Daughter
Allegoo	...	Allegoo - Nanook's Son
Camock	...	Camock - Nanook's Cat

Storyline

Documents one year in the life of Nanook, an Eskimo (Inuit), and his family. Describes the trading, hunting, fishing and migrations of a group barely touched by industrial technology. Nanook of the North was widely shown and praised as the first full-length, anthropological documentary in cinematographic history.

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Plot Keywords:

national film registry | winter | inuit | walrus | kayak | 

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Taglines:

A picture with more drama, greater thrill, and stronger action than any picture you ever saw.

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Genres:

Documentary

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Certificate:

Not Rated

Details

Country:

USA France

Release Date:

11 June 1922 (USA)

Also Known As:

Nanuk der Eskimo

Filming Locations:

Hudson Bay, Québec, Canada

Box Office

Budget:

$53,000 (estimated)

Company Credits

Production Co:

Les Frères Revillon, Pathé Exchange

Technical Specs

Runtime:

78 min 65 min (TCM print)

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

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Quotes

Title Card: Weighing as much as two tons and armored with an almost impenetrable hide, the walrus, when charging, tusks agleam and sounding his battle cry "uk-uk," is well called the "tiger of the North".

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Crazy Credits

A story of life and love in the actual arctic.

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Connections

Featured in The 50 Greatest Documentaries (2005)

User Reviews

Terrific looking film, especially for 1922

Robert J. Flaherty's `Nanook Of The North' may be the first film about man's relationship with nature. Flaherty helps establish man's successful adaptation to his environment by filming extraordinary hunting and fishing scenes consisting largely of medium shots. The few close-ups of the Inuit generally portray the successful hunters smiling as they eat their kill. Flaherty contrasts these moments with sequences communicating the Inuit's struggles with the natural world. Here, he uses long shots: Nanook and his family become tiny black specks barely visible in the large, white frame. In the foreground the viewer sees bitter gusts of wind ruling over the desolate landscape. Flaherty's technique is simple but very effective. Not only does he depict man as a mere part of his environment, but he emphasizes how powerless man may feel amid the cold indifference of nature. At the same time, the hunting and feast sequences establish Nanook as a smart, tough survivor, a surprising victor over nature's harsh elements. In this way, Flaherty makes Nanook into a heroic figure.

Rating: 9.5