Häxan (1922)

Fictionalized documentary showing the evolution of witchcraft, from its pagan roots to its confusion with hysteria in modern Europe.

Director:

Benjamin Christensen

Writer:

Benjamin Christensen

Stars:

Benjamin Christensen, Elisabeth Christensen, Maren Pedersen

Cast

Cast overview, first billed only:
Maren Pedersen	...	Heksen / The Witch
Clara Pontoppidan	...	Nonne / Nun
Elith Pio	...	Heksedommer / Witch Judge (The Young Monk)
Oscar Stribolt	...	Graabroder / Doctor (The Fat Monk)
Tora Teje	...	En hysterisk kvinde / Modern Hysteric (The Kelptomaniac)
John Andersen	...	Chief Inquisitor (as Johs Andersen)
Benjamin Christensen	...	Djævlen / The Devil
Poul Reumert	...	Juveler / Jeweler
Karen Winther	...	Anna
Kate Fabian	...	Gammel jomfru / Old Maid
Else Vermehren	...	Nonne / Nun
Astrid Holm	...	Anna
Johannes Andersen	...	Heksedommer / Witch Judge
Gerda Madsen	...	Nonne / Nun
Aage Hertel	...	Heksedommer / Witch Judge

Storyline

Part history lesson followed by re-enactments with actors, this film takes depicts the history of witchcraft from its earliest days through to the present day (in this case,1922 or thereabouts). The result is a documentary-like film that must be among the first to use re-enactments as a visual and narrative tool. From pagan worship to satanic rites to hysteria, the film takes you on a journey through the ages with highly effective visual sequences.

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Plot Keywords:

witchcraft | witch trial | interrogation | catholic priest | misogyny | 

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Taglines:

Benjamin Christensens stora film.

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Genres:

Documentary | Fantasy | Horror

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Certificate:

Not Rated

Details

Country:

Sweden Denmark

Language:

Swedish Danish

Release Date:

27 May 1929 (USA)

Also Known As:

Häxan

Filming Locations:

Copenhagen, Denmark

Box Office

Budget:

SEK 2,000,000 (estimated)

Company Credits

Production Co:

Aljosha Production Company,Svensk Filmindustri (SF)

Technical Specs

Runtime:

91 min 77 min (1968 re-release) 104 min (DVD) 122 min (original)

Sound Mix:

Mono Silent

Color:

Black and White (Sepiatone)

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Although financed by Swedish backers, the film was shot entirely at Benjamin Christensen's old studio in Denmark.

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Goofs

The kleptomaniac and the jeweler enter through a door on the right-hand side of the room. In the next shot, they are standing on the left side on the room, and the objects on the shelf behind them have changed position. The shot in which they enter is flipped (look closely at the buttons on the actors' clothes).

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Quotes

Title Card: Centuries have passed and the Almighty of medieval times no longer sits in his tenth sphere.
Title Card: We no longer sit in church staring terrified at the frescoes of the devils.
Title Card: The witch no longer flies away on her broom over the rooftops.
Title Card: But isn't superstition still rampant among us?
Title Card: Is there an obvious difference between the sorceress and her customer then and now?
Title Card: We no longer burn our old and poor. But do they not often suffer bitterly?
Title Card: And the little woman, whom we call hysterical, alone and ...
[...]

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Crazy Credits

Director Benjamin Christensen personally thanks his cinematographer and art director through the opening titles.

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Alternate Versions

Re-released in 1941 in Denmark, with a filmed introduction by director Benjamin Christiensen, in which he explains the film. Though the reissued version does use some intertitles for the dramatic scenes, they use wording that is often very different from the intertitles of the original 1922 version.

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Connections

Featured in Cinema Europe: The Other Hollywood: Where It All Began (1995)

User Reviews

A Historical View of the Witches

The writer and director Benjamin Christensen discloses a historical view of the witches through the seven parts of this silent movie.

In the beginning, there is a slide-show alternating intertitles with drawings and paintings to illustrate the explanations of the behavior of pagan cultures and in the Middle Ages regarding their vision of demons and witches.

Then there is a dramatization of the situation of the witches in the Middle Ages, with the witchcraft and the witch-hunts.

Finally Benjamin Christensen compares the behavior of hysteria of the modern women of 1921 with the behavior of the witches in the Middle Ages, concluding that they are very similar.

"Häxan" is incredibly perfect for a for a 1922 movie. Like in a thesis, he exposes his point of view based in his study of the theme along the time. The reconstitution of the witches in the Middle Ages is amazing. The last part with the comparison with the hysteric women is funny in 2010, but it was the reality in 1921. My vote is eight.

Title (Brazil): "Häxan - A Feitiçaria Através dos Tempos" ("Häxan - The Witchcraft Through the Time")

Note: On 16 Aug 2018 I saw this film again.