Credited cast: | |||
Mary Pickford | ... | Jeanne | |
Gertrude Astor | ... | Louise Reeves | |
Wilfred Lucas | ... | Elton Reeves | |
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Helen Raymond | ... | Marie |
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C. Norman Hammond | ... | Jacques Lanvain |
Elinor Fair | ... | Margaret Brewster | |
Adolphe Menjou | ... | James Brewster | |
Peaches Jackson | ... | Conrad | |
Doreen Turner | ... | Constant | |
John Harron | ... | Billy Boy | |
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George Dromgold | ... | Chauffeur |
Rest of cast listed alphabetically: | |||
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Jeanne Carpenter | ... | Jeanne (age 5) |
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Walter Wilkinson |
In Belgium in 1903, widowed Madame Bodamere is remarried to a rich American, who insists that she leave her young daughter Jeanne behind with the child's nurse Marie. Several years later, the mother comes back to reclaim her child, but Marie, not wanting to give up Jeanne, tells the mother that the child is dead. When Belgium is invaded in 1914, Marie fears for Jeanne's safety and sends her, now a teenager, to America along with a letter to Jeanne's mother confessing Marie's deception. On the trip, Jeanne picks up two young Belgian orphans and takes them with her. Jeanne finds her mother living on a large estate, and is repeatedly denied the chance to explain who she is. She ends up taking a job as a maid in her mother's mansion, and claiming the two orphans as her own. Meanwhile, her mother grows increasingly despondent, and her marriage soon stands on shaky ground. Written by Snow Leopard
This Mary Pickford feature has a little of everything, and while it hardly measures up to her best movies, it's a good movie with some enjoyable comedy and some thoughtful moments. The story is quite predictable, but it gives Pickford a chance to play the kind of character that her audiences loved, and that she herself portrayed so believably.
Pickford plays Jeanne, a young Belgian who is left behind when her mother is remarried to a rich American. When the war breaks out, Jeanne joins many other refugees, and heads to America to rejoin her mother, whom she finds in the midst of her own troubles. There are numerous complications, most of them quite familiar from other melodramas of the era. The supporting cast is solid, with Gertrude Astor particularly believable as the mother.
The main attraction of the movie is to see Pickford play the kind of resourceful, ever-hopeful young woman that allowed her to use her wide range of acting skills. The comic parts are good, and they include the sequence with Jeanne's innovative way of scrubbing a muddy floor. Pickford has good interactions with the other characters, both in dramatic scenes and in lighter moments.
The story itself is somewhat uneven, but Pickford keeps it going at all times. This one is probably of interest only to those who enjoy Pickford or silent movies in general, but for those who are already fans, it has more than enough to be worth seeing.