Portraying more than twenty characters at once--including lively stage actors, an attentive audience, an orchestra, and an entire nine-member minstrel act--Buster Keaton pushes the boundaries of technical artistry and film trickery, in a time when effects really were special. With this in mind--after waking up from a delightful vaudeville dream sequence--Buster realises that he still is the play house's humble general factotum, and he must keep the show up and running amid delusion and disorder, identical twin sisters, Zouave guards, and a rampant orangutan on the loose. But, can a mere gopher yearn for recognition, and perhaps, love?Written by
For some reason, I find the Buster Keaton features such as "the General" and "Steamboat Bill Jr." to be well-made, yet lacking in the explosive laughter I would expect. His short films however, pack a punch with comedy. "The Playhouse" is his best work ever - a showcase of his versatility and unparalleled comedic techniques. Any musician watching his clarinet technique (gnawing on the mouthpiece) can't help but hit the floor when they watch the opening orchestra scene. Likewise, the variety of audience members he plays, this is amazing. I can't help but wonder... how long (given makeup and costumes) did this one scene take to film? There are also more Warner Brothers cartoon foreshadowing in this than most other films I've seen. For a true short film masterpiece, see this film.
12 of 14 people found this review helpful.
Was this review helpful to you?
| Report this