Portraying more than twenty characters at once--including lively stage actors, an attentive audience, an orchestra, and an entire nine-member minstrel act--Buster Keaton pushes the boundaries of technical artistry and film trickery, in a time when effects really were special. With this in mind--after waking up from a delightful vaudeville dream sequence--Buster realises that he still is the play house's humble general factotum, and he must keep the show up and running amid delusion and disorder, identical twin sisters, Zouave guards, and a rampant orangutan on the loose. But, can a mere gopher yearn for recognition, and perhaps, love?Written by
First part of the movie is amazing surreal scene where Buster Keaton performs all the parts himself. Then he wakes up and we learn that it was all his dream, but when suddenly some workmen start to tear down the walls of the bedroom, the viewer is momentarily taken back into the dream, until we finally learn that Buster Keaton was just an ordinary stagehand that took his nap on the stage, and the room was just a decoration. From there on Buster continues his ordinary workday with hilarious mishaps. The film is pretty tame considering the part of neck breaking stunts, but the more amazing is the opening sequence where Buster Keaton is the whole show. Wonderful movie that shows how inventive as a director Buster Keaton was even without performing any amazing stunt work.
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