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Orphans of the Storm (1921)

Not Rated | | Drama , History , Romance | 1922 (Poland)
Two orphaned sisters are caught up in the turmoil of the French Revolution, encountering misery and love along the way.

Director:

D.W. Griffith

Writers:

Adolphe d'Ennery (novel), Eugène Cormon (novel) | 1 more credit »
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Cast

Cast overview, first billed only:
Lillian Gish ... Henriette Girard
Dorothy Gish ... Louise Girard
Joseph Schildkraut ... Chevalier de Vaudrey
Frank Losee ... Count de Linieres
Katherine Emmet Katherine Emmet ... Countess de Linieres
Morgan Wallace ... Marquis de Praille
Lucille La Verne ... Mother Frochard
Sheldon Lewis ... Jacques Frochard
Frank Puglia ... Pierre Frochard
Creighton Hale ... Picard
Monte Blue ... Danton
Sidney Herbert Sidney Herbert ... Robespierre
Lee Kohlmar Lee Kohlmar ... King Louis XVI
Marcia Harris Marcia Harris ... Henriette's Landlady
Adolph Lestina Adolph Lestina ... Doctor
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Storyline

Henriette and Louise, a foundling, are raised together as sisters. When Louise goes blind, Henriette swears to take care of her forever. They go to Paris to see if Louise's blindness can be cured, but are separated when an aristocrat lusts after Henriette and abducts her. Only Chevalier de Vaudrey is kind to her, and they fall in love. The French Revolution replaces the corrupt Aristocracy with the equally corrupt Robespierre. De Vaudrey, who has always been good to peasants, is condemned to death for being an aristocrat, and Henriette for harboring him. Will revolutionary hero Danton, the only voice for mercy in the new regime, be able to save them from the guillotine? Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

1922 (Poland) See more »

Also Known As:

The Two Orphans See more »

Filming Locations:

Florence, Tuscany, Italy See more »

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Box Office

Budget:

$1,000,000 (estimated)

Gross USA:

$794,650, 31 December 1922
See more on IMDbPro »

Company Credits

Production Co:

D.W. Griffith Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

D.W. Griffith decided to enlarge the scope of the melodrama by weaving in historical details from the French Revolution including the historical figures Danton and Robespierre. He made every effort to be true to real events and took additional inspiration from "A Tale of Two Cities" by Charles Dickens and "History of the French Revolution" by Thomas Carlyle, which Lillian Gish noted every major player in the film studied. Carlyle's book was, in fact, also a major influence on Dickens, who took the incident of an aristocrat's carriage running over a small child from Carlyle's book. See more »

Goofs

As Danton with the People's Court pardons races to the guillotine execution site, the dusty street beneath the charging feet of his group's horses shows the tire tracks of the camera car preceding them. See more »

Quotes

Jacques Forget me not: Death with tyrants!
See more »

Connections

Version of Le due orfanelle (1918) See more »

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User Reviews

DW Griffith storyteller extraordinaire.
3 September 2002 | by dbdumonteilSee all my reviews

Adolphe D'Ennery's novel was one of those countless melodramatic maudlin stories which were thriving in France of the 19th century. DW Griffith decided to transpose the action just before and after French revolution.The novel was rather reactionary and its historical background was thin and vague.

But Griffith's vision of the French Revolution is naive,to put it mildly.He was not apparently aware that the 1789 events were mainly a bourgeois move,and the poor were only a tool.The dichotomy Good Danton/Wicked Robespierre should make people who are looking for a sort of historical accuracy have a look at Wajda"s "Danton"(with G.Depardieu,in the eighties).

Forget history and you have a two-hour and a half silent movie with never a dull moment.Griffith is a wonderful storyteller,who had a great respect for his audience.Some sequences are still impressive today:the aristocratic orgy,when the Poor are starving at the gates of the palace is far from D'Ennery's timid depiction of the scene in the book;Lillian Gish,a wonderful actress who 'd been part of the cinema till the eighties,is so powerful in her part of the abducted maiden Henriette we can almost hear her when she screams out of despair:"is there a man of honor among you?Louise and the shrew who got her under her thumb begging in front of the cathedral as the snow is falling is a splendid picture,recalling a painter's work;even if Danton's coming to the rescue of a soon-to-be guillotined Henriette is thoroughly implausible,we cannot help but admire the director's maestria.

Few silent movies have stood the test of time as well as this one.


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