Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
After Siegfried's dead, Kriemhild marries Etzel, the King of the Huns. She gives birth to a child, and invites her brothers for a party. She tries to persuade Etzel and the other Huns, that... See full summary »
Kay Hoog wants to stop the organisation "Die Spinnen" to get a certain diamond, that will give the owning woman the crown of Asia, but the man, who should be the owner of that diamond, ... See full summary »
The Buddhist priest wants the Daughter of the Daimyo to become a priestess at the Forbidden Garden. The Daimyo thinks if he were in Europe that his daughter should decide on her own, but he... See full summary »
As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers. In each story, a woman, trying to save her lover from his ultimate tragic fate, fails. The young lady realizes the meaning of the tales and takes the only step she can to reunite herself with her lover.Written by
Doug Sederberg <email@example.com>
Wonderfully haunting in its images, this early Lang film has recently been reissued on DVD under the title Destiny. A title I have heard about for years, it is a pleasure to see it in a finely restored format that does justice to its beauty. The film is made up of four stories, a framing sequence and three historical vignettes, related by the central theme of a woman trying to defy Death to save her lover. While the plots are simple, the telling is astonishing in vision and execution and each of the four stories has a distinctive, entertaining tone -- the brooding expressionistic framing piece, a tale of Arabian adventure, a Renaissance romance, and a comic Chinese fantasy. I found the Chinese segment especially entertaining and some of the images -- such as the old magician transformed into a cactus -- are incredibly surreal and surprising 80 years after they were filmed. Interesting as the film that made Lang famous and very entertaining in its own right, I would recommend this film to anyone who likes cinema of the imagination.
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