The opening title reads: "A comedy with a smile--and perhaps a tear". As she leaves the charity hospital and passes a church wedding, Edna deposits her new baby with a pleading note in a limousine and goes off to commit suicide. The limo is stolen by thieves who dump the baby by a garbage can. Charlie the Tramp finds the baby and makes a home for him. Five years later Edna has become an opera star but does charity work for slum youngsters in hope of finding her boy. A doctor called by Edna discovers the note with the truth about the Kid and reports it to the authorities who come to take him away from Charlie. Before he arrives at the Orphan Asylum Charlie steals him back and takes him to a flophouse. The proprietor reads of a reward for the Kid and takes him to Edna. Charlie is later awakened by a kind policeman who reunites him with the Kid at Edna's mansion.Written by
Ed Stephan <firstname.lastname@example.org>
Chaplin biographer Jeffrey Vance writes, of the legacy of Chaplin's The Kid: "The Kid remains an important contribution to the art of film, not only because of Chaplin's innovative use of dramatic sequences within a feature-length comedy but also because of the revelations The Kid provides about its creator. Undoubtedly, when Chaplin penned the preface to The Kid, "A picture with a smile--and perhaps, a tear," he had his own artistic credo-and life-in mind." Mary Pickford said of the film, "The Kid is one of the finest examples of the screen language, depending upon its actions rather than upon subtitles". See more »
During the fight scene with the Bully, the unconscious police man on the ground changes position in between shots. See more »
Wow, is this a memorable film! It is one of the most famous silent movies ever and justifiably so. That fact that it still entertains over 80 years after it was made is quite a testimony.
It is a wonderful blend of humor and drama. Charlie Chaplin's unique humor, combined with an involving storyline and strong sentimentality make this one to remember. Chaplin's humor ranges from pure slapstick to some clever stunts.
The "kid" - Jackie Coogan - is just as memorable, maybe even more so. He is unbelievably cute, especially in those old-time clothes he wore. Watching the expressions on his face, even as a baby, are fascinating and facial expressions certainly were a trademark of the silent era.
So, between Chaplin and Coogan, and a very involving story that can break your heart one minute and have you laughing out loud the next, it's an amazing piece of work. This is a very fast-paced story which lasts less than an hour.
The special edition two-disc DVD has a restored version of the print so the picture is very clear, actually astounding for its age. Excellent entertainment.
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