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Eldorado (1921)

Sibilla is a single mother, working as a gypsy dancer in a lousy cafe in the south of Spain. Unable to keep with the costs of his son's medical bills, she asks for help to Estiria, her ... See full summary »

Director:

Marcel L'Herbier

Writer:

Marcel L'Herbier (scenario)
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Cast

Credited cast:
Ève Francis ... Sibilla
Jaque Catelain ... Hedwick
Marcelle Pradot Marcelle Pradot ... Iliana
Philippe Hériat Philippe Hériat ... Joao, le bouffon
Claire Prélia Claire Prélia ... La comtesse suédoise
Georges Paulais Georges Paulais ... Esteria
Édith Réal Édith Réal ... Conception
Max Dhartigny Max Dhartigny ... Le patron de l'El Dorado
Émile Saint-Ober Émile Saint-Ober ... L'aveugle
Jeanne Bérangère ... Flore
Rest of cast listed alphabetically:
Michel Duran Michel Duran
Noémi Seize Noémi Seize
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Storyline

Sibilla is a single mother, working as a gypsy dancer in a lousy cafe in the south of Spain. Unable to keep with the costs of his son's medical bills, she asks for help to Estiria, her son's biological father and one of the richest men in town. After being rejected, Sibilla vows to save her son's life by any means necessary - even at the cost of her own life. Written by Maya

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

France

Language:

French

Release Date:

28 October 1921 (France) See more »

Also Known As:

El Dorado See more »

Filming Locations:

Granada, Andalucía, Spain See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

A score was composed especially for the film in an attempt to synchronize music and action. See more »

Connections

Featured in Trente ans de silence: Ève Francis (1965) See more »

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User Reviews

 
Much more than an iconic French impressionism film
12 December 2016 | by Dario VaccaroSee all my reviews

"El Dorado" is generally linked to the cinematographic movement of the French impressionists, a branch of the more famous pictorial current. But L'Herbier's masterpiece is not to be confined in this label. Actually, the label itself is the only flaw I perceived in the movie: the special effects boasting the power and possibilities of cinema, while innovative, sure, seem somewhat out of place sometimes and lessen the impact of a few frames, yet still improving others. What should really emerge from this film, though, is the poetic power L'Herbier is able to infuse into an average melodramatic plot: every scene has a peculiar delicacy and taste for style uncommon at the time and today. A big merit to the success of the process has to be granted to the lead star, Eve Francis, an incredibly powerful and intense actress who clouds entirely the other performances, that are still above the average of the time (which is not much). It felt strange for me to feel something real about a character in a '20s movie, the only other one being "The Painted Lady", which is from the '10s, and that is a clear signal for me of the exceptional nature of this masterpiece of the early age of cinema. It breaks my heart that, not having been released worldwide at the time, "El Dorado" has become famous only in France, because it should be known as a true gem both in artistry and in innovation by any film scholar and lover all around the globe.


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