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Chasing Amy (1997)

1:44 | Trailer
Holden and Banky are comic book artists. Everything's going good for them until they meet Amy, also a comic book artist. Holden falls for her, but his hopes are crushed when he finds out she's a lesbian.


Kevin Smith


Kevin Smith
2,239 ( 42)
Nominated for 1 Golden Globe. Another 5 wins & 15 nominations. See more awards »



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Cast overview, first billed only:
Ethan Suplee ... Fan
Ben Affleck ... Holden McNeil
Scott Mosier ... Collector
Jason Lee ... Banky Edwards
Casey Affleck ... Little Kid
Dwight Ewell Dwight Ewell ... Hooper X
Joey Lauren Adams ... Alyssa Jones
Guinevere Turner ... Singer
Carmen Llywelyn ... Kim (as Carmen Lee)
Brian O'Halloran ... Jim Hicks - Executive #1
Matt Damon ... Shawn Oran - Executive #2
Alexander Goebbel Alexander Goebbel ... Train Kid
Tony Torn Tony Torn ... Cashier
Rebecca Waxman Rebecca Waxman ... Dalia
Paris Petrick ... Tory


A pair of comic book authors named Holden McNeil and Banky Edwards, who live in New Jersey, have been best friends for 20 years. They spend their time working in their studio, and in the evenings they are going out. But their friendship is about to be disputed for the first time in their life, when a beautiful young lesbian woman named Alyssa Jones enters their life and Holden falls in love with her. Now Holden has to deal with Banky's jealousy, and with his new girlfriend's very rich past. Written by rsilberman

Plot Summary | Plot Synopsis


Finally, a comedy that tells it like it feels. See more »


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong graphic sex-related dialogue, language, sexuality and drug content | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official Facebook | Official site | See more »





Release Date:

18 April 1997 (USA) See more »

Also Known As:

Chasing Amy See more »

Filming Locations:

New Jersey, USA See more »


Box Office


$250,000 (estimated)

Opening Weekend USA:

$52,446, 6 April 1997

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital


Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


The last comic shown in the opening credits (Wizard) which shows Chronic breaking through glass is a recreation of Detective Comics issue 38 where the character of Robin was introduced. See more »


Cigarette ash on Holden's pant leg when in the diner with Jay and Silent Bob. See more »


[first lines]
Comic Book Writer #1: I don't know. I love Chow Yun Fat. I just don't see him playing Madman.
See more »

Crazy Credits

The producers wish to thank ... the Allred family ... Jack Anderson's music ... See more »

Alternate Versions

Many things cut from the final version available on laserdisc/DVD editions: See more »


Referenced in Kevin Smith: Too Fat for 40! (2010) See more »


Live Wire
Written by Leo Nocentelli, Art Neville (as Arthur Neville), George Porter Jr. and Joseph Modeliste
Performed by The Meters
Courtesy of Rhino Records, Inc.
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Frequently Asked Questions

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User Reviews

Lacks a point.
25 May 2005 | by MovieAddict2016See all my reviews

Kevin Smith isn't typically known for mature work – the majority of his films are funny, but crude. "Chasing Amy," his follow-up to the 1995 box office failure "Mallrats," is certainly the most adult film he has made, in terms of general context. Overall, however, I was left with mixed feelings.

Holden (Ben Affleck) is the co-creator of a popular comic strip named "Bluntman and Chronic." One day at a New York City Comicon Convention, a friend of Holden's introduces him to Alyssa (Joey Lauren Adams), a free-spirited, adventurous girl whom Holden instantly takes a liking to. As they spend more time together, Holden finds himself falling in love. But there's just one problem: Alyssa is a lesbian.

Holden's best friend and co-writer/artist, Banky (Jason Lee), resents Alyssa – both because he is homophobic and afraid of losing Holden. He doesn't trust Alyssa, and digs up dirt on her that extends into her high school days, when, apparently, she was not just into chicks.

"Chasing Amy" has moments of rare greatness – the dialogue, first of all, is excellent. So is the acting. Joey Lauren Adams has been severely underused since "Chasing Amy," starring in undeveloped romantic roles in comedies such as "Big Daddy." Her character Alyssa in Smith's film is three-dimensional, and her outburst towards the end of the picture is heartfelt and honest. Jason Lee is hilarious in a very believable way (never stretching Banky into a far-fetched comedic personality) and even Ben Affleck manages to remain tolerable. (Which is always unusual.) I think the problem with "Chasing Amy" is that it simply tries too hard, and lacks a point. Smith attempted to prove to his critics that he was capable of making a realistic, sophisticated and complex motion picture and tackles some very, very touchy subjects in the process, without ever coming to any solid conclusion.

Credit must be given where it is due – Smith is an expert at snappy one-liners and good dialogue. But no matter how clever, insightful and emotionally developed Smith's everyday jargon may very well be, at heart he is still a philistine. One need only listen to five minutes of one of his DVD commentary tracks to realize this. That core immaturity doesn't translate well to the screen in a picture that wants to be taken as something more. It's like a child trying to imitate an adult – the gestures might be there, but the experience and cultivation is not.

Another major weakness of "Chasing Amy" is that it is too blunt, I think. Example? It's heavily implied that Banky is a repressed closet homosexual. It makes sense, and a deleted scene from another of Smith's later films confirms it. But I felt it should never have been addressed at all in "Chasing Amy" – great films imply, they don't stress. A character from "Chasing Amy" explains to Holden what we're all thinking – maybe Banky has feelings for Holden that he isn't ready to acknowledge. This is too much. It's too clear, and not subtle enough. It should have been left up to the audience to use their own perceptions. By the time this "explanation" occurs in the movie, I had already assumed Banky was gay; Smith's desire to put it into words seemed anti-climactic and ruined the speculation.

That best sums up the entire film, really -- "Chasing Amy" has its good parts, but the finished product is messy and contradictory and just too damned wordy. It tries at every turn to be insightful, honest, mature and even epic. The problem with all this is that Smith lacks a point – he wants to say there's nothing wrong with being gay, and love is love no matter whether you're male or female, but it's clear that deep inside he is a bit like Banky – homophobic and immature. His decision to turn Alyssa into a "mistake," a woman who has been fooled into lesbianism, who is "saved" by Holden, doesn't make sense. I'm not criticizing the film's motive – if it had one, I'd judge it based on how well it elucidates it. My own point is that Smith doesn't have one – he's wishy-washy, one moment preaching to his audience about the dangers of homophobia, the next moment turning his lesbian into the very stereotype all lesbians must hate: the woman who is afraid of men and deep down inside her heart is actually is attracted to them. I was left wondering what Smith was trying to get across to his audience.

For what it's worth, my favorite scene from "Chasing Amy" is when Jay and Silent Bob (Jason Mewes and Smith himself) show up. Silent Bob's monologue is honest and tender without coming across as being too showy or gushy. Had the entire film matched this one scene, it would be a great deal better.

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