Susie, a plain young country girl, secretly loves a neighbor boy, William. She believes in him and sacrifices much of her own happiness to promote his own ambitions, all without his ... See full summary »
John Logan leaves his parents and sweetheart in bucolic Happy Valley to make his fortune in the city. Those he left behind become miserable and beleaguered in his absence, but after several... See full summary »
Lydia Yeamans Titus,
Jeannette Peret, daughter of a cigar-store owner, leaves her Greenwich Village home for France in hopes of finding there the love which eludes her at home. She becomes enamored of le Bebe, ... See full summary »
The callous rich, portrayed by Lennox, think only of their own pleasure. Anna is but a poor country girl whom Lennox tricks into a fake wedding. She believes that it is true, but secret, while he has his way with her. When she is pregnant, he leaves her and she must have the baby, named Trust Lennox, on her own. When the baby dies she wanders until she gets a job with Squire Bartlett. David falls for her, but she rejects him due to her past and then Lennox shows up lusting for Kate. Seeing Anna, he tries to get her to leave, but she doesn't, and she tells no one about his past. When Squire Bartlett learns of her past from Martha, the town gossip, he tosses Anna out in a snow storm. But before she goes, she fingers the respected Lennox, as the father of her dead baby and the spoiler of herself.Written by
Tony Fontana <firstname.lastname@example.org>
During the filming of the ice floe scenes, a fire had to be built underneath G.W. Bitzer's camera in order to keep it warm enough to run. See more »
Around the 1 hr and 38 minute mark, Martha visits the Squire and encounters Anna at the door. She enters the room and gives Anna a disapproving look. Behind Anna is the door. When the view changes to a long shot of the room, Martha is still engaging with Anna, but now both are to the left of the door instead of standing in front of it. See more »
As Gish once said, ".......Silent movies were well on their way to developing an entirely new art form. It was not just pantomime, but something wonderfully expressive." It is that expressive ability, which in Talking Movies and still today, more than any other characteristic, defines the success of an actor or actress. As it was back then referred to as "The Look", this ability was Gish's trademark, and has never been done better by anyone. In Way Down East, she set the benchmark for this ability. In my opinion, the best work of her career. If you haven't seen it, do, and you'll wonder who in screen history can rival "Her Look".
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