The callous rich, portrayed by Lennox, think only of their own pleasure. Anna is but a poor country girl whom Lennox tricks into a fake wedding. She believes that it is true, but secret, while he has his way with her. When she is pregnant, he leaves her and she must have the baby, named Trust Lennox, on her own. When the baby dies she wanders until she gets a job with Squire Bartlett. David falls for her, but she rejects him due to her past and then Lennox shows up lusting for Kate. Seeing Anna, he tries to get her to leave, but she doesn't, and she tells no one about his past. When Squire Bartlett learns of her past from Martha, the town gossip, he tosses Anna out in a snow storm. But before she goes, she fingers the respected Lennox, as the father of her dead baby and the spoiler of herself.Written by
Tony Fontana <firstname.lastname@example.org>
Clarine Seymour, a regular player in D.W. Griffith's films at the time, was originally cast in the role of Kate, Squire Bartlett's niece and David Bartlett's fiancée. Seymour had actually completed most of her scenes when she fell ill from a strangulated intestine. She died on April 25, 1920, following emergency surgery. Griffith replaced her in the role with dancer Mary Hay, who resembled Seymour in long shots. Although David Bartlett does not marry Kate in "Way Down East", Richard Barthelmess, who played David, later married Mary Hay. See more »
Around the 1 hr and 38 minute mark, Martha visits the Squire and encounters Anna at the door. She enters the room and gives Anna a disapproving look. Behind Anna is the door. When the view changes to a long shot of the room, Martha is still engaging with Anna, but now both are to the left of the door instead of standing in front of it. See more »
For all we know she might be some loose woman wanderin' 'round. I won't take her inter my hum!
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Lillian Gish and fellow co-stars really bring home this great drama. It's interesting and exciting and wonderful to watch. Surely a legend of the 20th Century, Mr Griffith outdid himself with this successful film and Gish can only be praised for a great performance. Her pain and despair can be felt in the scene's where she realises she's been 'betrayed' and she nurses her child while he slips from this world. It's acting at it's finest for no words were necessary, it's all in 'the look'. Certainly 10 out of 10, but if I were to make one comment about this film in the negative, it would be it's length. Perhaps 15 to 20 minutes too long. Otherwise it's majestic.
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