5.5/10
196
8 user 4 critic
During the Alaska gold rush, a miner hits the mother lode, but a corrupt sheriff jumps his claim, leading to a tremendous fight.

Director:

Ralph Ceder (as Ralph Cedar)

Writers:

Hal Conklin, H.M. Walker (titles)
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Cast

Credited cast:
Stan Laurel ... Bob Canister
Ena Gregory ... The Girl
Mae Laurel Mae Laurel ... Woman in Saloon
James Finlayson ... Smacknamara
Billy Engle ... Prospector
Eddie Baker Eddie Baker ... Prospector
George Rowe George Rowe ... Man in Saloon
Jack Ackroyd Jack Ackroyd ... Henchman
Jack Gavin Jack Gavin ... Prospector
Marvin Loback Marvin Loback ... Henchman
Rest of cast listed alphabetically:
Joe Bordeaux Joe Bordeaux
Sammy Brooks Sammy Brooks
Al Forbes Al Forbes
Katherine Grant
John B. O'Brien
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Storyline

Bob Canister has struck it rich in Alaska, but another man learns of it, and steals Bob's claim with the help of a mercenary sheriff. Canister's men are ready to fight, but Bob backs down rather than resort to violence in front of his girlfriend. Later, though, he goes to the other man's home and confronts him, ready to fight for his claim. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

claim | sheriff | alaska | gold | fistfight | See All (8) »

Genres:

Comedy | Short

Certificate:

See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

25 November 1923 (USA) See more »

Also Known As:

De viespeuken See more »

Company Credits

Production Co:

Hal Roach Studios See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Goofs

The last name of Stan Laurel's character is spelled "Canister" in some scenes, "Cannister" in others. See more »

Connections

Featured in Vito (2011) See more »

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User Reviews

 
Hard fists, limp wrists: manly Stanley brawls.
12 August 2007 | by F Gwynplaine MacIntyreSee all my reviews

Before Stan Laurel became the smaller half of the all-time greatest comedy team, he laboured under contract to Broncho Billy Anderson in a series of cheapies, many of which were parodies of major Hollywood features. Most of Laurel's 'parody' films are only mildly funny, and even less funny for modern audiences who haven't seen the original movie which Laurel is parodying. 'The Soilers' remains slightly funny for modern audiences, but was probably funnier in 1923 for audiences who recognised the source material.

'The Spoilers' was originally a best-selling novel by Rex Beach: a tale of two-fisted prospectors in the Klondike gold rush of 1898, culminating in a knock-down drag-out brawl. The story was so popular, it was filmed at least five times (one version starring John Wayne). This 1923 slapstick comedy parodies a film version of 'The Spoilers' released three months earlier ... which was at least the second movie version of Beach's much-filmed novel.

In 'The Spoilers', hero Glennister squares off against villain McNamara. Here, they're parodied as "Canister" and "Smacknamara". Sadly, most of 'The Soilers' remains on that Mad-magazine level of wit. Since 'The Soilers' is a two-reeler, it can't possibly parody the entire plot of Beach's novel, so it inevitably emphasises the climactic barroom brawl.

There are a couple of decent gags here. The sheriff is trustworthy, because -- as a title card assures us -- 'Once he had been bought, he stayed bought.' So that's all right, then.

In recent years, 'The Soilers' has attracted some scholarly attention for the presence of an unnamed character portrayed by George Rowe. Among all these rootin' tootin' manly macho males, Rowe depicts an effeminate simpering cowboy who is clearly meant to be what folks used to call a 'nance'. During the climactic fight scene, while Stan Laurel and James Finlayson are tearing each other apart, Rowe sashays into the room in skin-tight dungarees and rearranges the furniture. Hilarious! Later, he addresses Stan as 'my hero' and tosses him a bouquet in the form of dropping a flowerpot from the balcony above. The pot lands on Stan's head, though the action is cleverly staged so that we can't tell if the lonesome cowboy did it intentionally or not.

What I found utterly fascinating about Rowe's performance here is that it doesn't seem to be malicious: he's depicting the stereotype of an effeminate 'cissy', presumably homosexual, yet none of the humour is at this character's expense. Rather than inviting us to find this character ridiculous or unnatural, 'The Soilers' gets considerable laughs from the incongruous contrast of this simpering figure among the brawlers ... depicting this one cowboy merely as different from manly Stanley and the rest, not inferior to them. 'The Soilers' indicates that gays weren't invisible in 1923 ... and straight audiences were savvy enough to recognise them. I'll rate 'The Soilers' 7 out of 10, as one of Stan Laurel's funniest pre-Hardy movies.


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