7.6/10
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217 user 51 critic

Sense and Sensibility (1995)

Trailer
1:59 | Trailer
Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.

Director:

Ang Lee

Writers:

Jane Austen (novel), Emma Thompson (screenplay)
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Popularity
1,376 ( 449)
Won 1 Oscar. Another 32 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Fleet ... John Dashwood
Tom Wilkinson ... Mr. Dashwood
Harriet Walter ... Fanny Dashwood
Kate Winslet ... Marianne Dashwood
Emma Thompson ... Elinor Dashwood
Gemma Jones ... Mrs. Dashwood
Hugh Grant ... Edward Ferrars
Emilie François Emilie François ... Margaret Dashwood
Elizabeth Spriggs ... Mrs. Jennings
Robert Hardy ... Sir John Middleton
Ian Brimble ... Thomas
Isabelle Amyes Isabelle Amyes ... Betsy
Alan Rickman ... Colonel Brandon
Greg Wise ... John Willoughby
Alexander John Alexander John ... Curate
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Storyline

When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by Kathy Li

Plot Summary | Plot Synopsis

Taglines:

Lose your heart and come to your senses.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English | French

Release Date:

26 January 1996 (USA) See more »

Also Known As:

Sense and Sensibility See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$721,341, 17 December 1995

Gross USA:

$43,182,776

Cumulative Worldwide Gross:

$134,582,776
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby SR | SDDS (8 channels)| Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

During filming, director Ang Lee used music by Arvo Pärt as a temp score. See more »

Goofs

The baby that Mr. Palmer holds is wearing a disposable diaper underneath his 18th century clothing. See more »

Quotes

Mrs Jennings: I think I've unearthed a secret.
Sir John Middleton: Oh, no, have you sniffled one out already, Mother? You're worse than my best pointer Flossie!
See more »


Soundtracks

The Dreame
Music by Patrick Doyle
text by Ben Jonson
End title performance by Jane Eaglen
Courtesy of SONY CLASSICAL
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Frequently Asked Questions

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User Reviews

Four Masterful Sensibilities
16 April 2002 | by tedgSee all my reviews

Jane Austen: This is her first and most human-centered work. More than cruel commentary on society this is -- Deft work.

Emma Thompson: Her former husband is a decent actor, but his genius is in understanding how to cinematize Shakespeare -- no small challenge and no small talent. I'm thinking of how he would later put Kate's Ophelia in a padded cell! What Emma has done here is change a detached narrative text into discrete scenes anchored by dialogue. A cursory comparison with other Austen films (except the later 'Emma' which borrows much from this) will bear this out.

Ang Lee: This is Lee's first English film, and already since he has established himself as a sensitive master of vision, like Ridley Scott and Steven Soderbergh. Lots of sensitive uses of the space, especially doorways. Many hard/soft contrasts (which he equates with sense and sensibility which is okay). He is a subtle visualist. Subsequent work is more confident than this, but its all softly refined, understated.

Kate Winslet: All of the above are the results of first seriously public efforts and Kate's case is the same. At this writing seven years later, she is one of the anchors of multidimensional film acting. Kate makes this whole thing live. Austen's stance is one of self-aware storytelling: she is at once IN the story and OUTSIDE it, commenting on it. That's something that Kate already had mastered this early: she acts both the role and the girl acting the role.

Honorable mention: Emilie Francoise, whose screen presence is rather remarkable.


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