In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
"Safe" has been described as a horror movie of the soul, a description that director Todd Haynes relishes. California housewife Carol White seems to have it all in life: a wealthy husband, a beautiful house, servants, beauty, and a lot of friends. The only thing she lacks is a strong personality: Carol seems timid and empty during all of her interactions with the world around her. At the beginning of the film, one would consider her to be more safe in life than just about anyone. That doesn't turn out to be the case. Starting with headaches and leading to a grandmal seizure, Carol becomes more and more sick, claiming that she's become sensitive to the common toxins in today's world: exhaust, fumes, aerosol spray, etc. She pulls back from the sexual advances of her husband and spends her nights alone by the TV or wandering around the outside of her well-protected home like an animal in a cage. Her physician examines her and can find nothing wrong. An allergist finds that she has an ...Written by
David Eschatfische <firstname.lastname@example.org>
Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in November 1997. See more »
Although this film was explicitly set in 1987, while Carol is driving on the highway, she passes a burgundy 1992 Cadillac de Ville. See more »
I don't take drugs or drink or... I don't even like coffee very much. I'm just a total milk-o-holic.
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How not to survive in a crass, contagious, consumer prison...
Julianne Moore is one of my favorite actresses and that's the reason I decided to watch this one.
This film is labeled as Drama/Thriller. Well, the drama's here, no doubt, as Carol White (Moore) slowly begins to succumb to the multiple effects of all types of pollution that pervade our technocratic consumer societies. There's psychological drama also as her husband, Greg (Xander Berkeley) tries to come to some understanding about Carol and how his marriage seems to be slowly disintegrating. And, there's drama also when Carol reacts violently to various chemicals, such that she is hospitalized and undergoes a battery of tests...
But... Thriller? Not at all, not by a long shot.
This is something better than mere thrills at one level, it's a modern horror story that we are all living, because we are all part of this petrochemical world that we cannot reasonably escape. At another level, it's also the horror that results when a person decides to dislocate from the polluted world we all live in and construct another world within the mind. The end result of such an act is usually madness... eventually.
Beautifully acted by all the players, so that it seems that they aren't acting; it is, after all, all too real, is it not? The musical background is simply stunning brooding, dark, menacing, and reminiscent of a David Lynch soundtrack. Visually, for the first half, you are battered with repetitive images of unending lines of traffic, excessive noise, mindless activities, rampant consumerism all designed to reflect the battered mind and body of Carol as she struggles to determine her future in a world that is increasingly threatening.
How she does that forms the second half. Does she succeed? I could say Yes and No, but I'll leave it up to you to decide when you see it. Enjoy...if you can!
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