In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers,... See full summary »
Balduin, a student of Prague, leaves his roystering companions in the beer garden, when he finds he has reached the end of his resources. He is scarcely seated in a quiet corner when a ... See full summary »
A wealthy man invites the local wealthy bachelors over for a puppet show about men who covet another man's wife. The puppeteer is actually a witch and gives the men nightmares about what could happen if they date the lady of the house.
Extremely rare work of Robert Wiene. From the director and year of excellent "The Cabinet of Dr. Caligari" this work was eventually overshadowed by the success of Caligari. It has a dreamy atmosphere, like another world or something.
Hans Heinrich von Twardowski,
The golem's position relative to the beam when pulling the chain to stoke the fire. See more »
The 2002 Alpha Video DVD version runs for 101 minutes. This is not evident from the back of the Alpha Video DVD case, which wrongly lists the running time as only 85 minutes. It looks as if Alpha Video somehow got hold of the fullest version currently known - maybe even a complete version of the film, since there are no obvious gaps in the story. See more »
I caught this restored version of the 1920 German silent classic at Lincoln Center where a new musical score was premiered by the Chamber Music Society. I had never seen the film before and was frankly amazed at the imagery in the sets and costumes and editing of the film. The film's director, Paul Wegener, wearing a thickly padded outfit and wig and high-heeled boots plays the main character, "The Golem". A mythical character from Jewish folklore. For its day, the special effects were also intriguing. I resist describing the movie as anti-semitic but I believe that the portrayal of the jewish ghetto was depicted so dramatically to show that the jews in Prague were outsiders and not welcome in mainstream society. This is evident in the fact that when a nobleman comes to the ghetto, he is greeted by a mammoth closed gate that looks like a precursor to the one used in King-Kong. And most notably, during the creation sequence, a satanic figure appears on screen that would coincide with the European belief a that time that Jews walk hand-in-hand with the Dark forces.
As far as the Golem's performance- this film is really a precursor to "Frankenstein" that Boris Karloff must have seen in its original release - there are so many similarites.
Biggest Image - at the conclusion, the Golem is surrounded by a group of "blond" Aryan-looking children that clearly distinguish them from the ghetto children that we see earlier in the film.
26 of 29 people found this review helpful.
Was this review helpful to you?
| Report this