Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.Written by
The role of Butch was originally supposed to be an up and coming boxer. Matt Dillon was in talks to play the role, but never committed. Quentin Tarantino then changed the role, and offered it to Bruce Willis, who had been disappointed at not being signed to play Vincent. See more »
(at around 22 mins) While the camera is focused on Butch, it abruptly moves to the right and then back to its original position. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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The coffee shop manager in the robbery scene at the end is credited as "Coffee Shop" because he is cut off as he speaks: "I am not a hero, I'm just a coffee shop--" See more »
Most network television prints eliminate (or at least blank out) profanity and dialogue to an absurd degree. For example, the aftermath of the scene where Vincent shoots Marvin by accident is replaced by a fade to black and a John Travolta sound-alike saying "Oh man I just shot Marvin in the face", and Butch's profane outburst in the hotel room is silenced (both making his physical rage unintentionally comical and neutralizing the actual punchline, "It's not your fault."). See more »
My oh my. "Pulp Fiction" is one of those roller-coasters of a movie. It is both a joy and a trial to sit through. Amazingly original and unforgettable, Quentin Tarantino's trash masterpiece never gets old or seem outdated. It put a face on American independent film making in 1994. Miramax had been around since the 1970s and no one had heard of it before this film. Studios went into a panic when this film came out because they knew it would be an amazing hit. Of course it was. Independent film making became the rage and hit its peak in 1996 when four of the five nominated Best Picture films were from independent studios. The screenplay and direction by Tarantino are quite amazing, but the cast makes the film work. John Travolta (Oscar nominated) re-invented his career with this film. Bruce Willis cemented his celebrity. Samuel L. Jackson and Uma Thurman (both Oscar nominees) became marketable superstars. Others who make appearances include: Ving Rhames, Christopher Walken, Eric Stoltz, Rosanna Arquette, Steve Buscemi, Frank Whaley, Harvey Keitel, and of course Quentin Tarantino himself. They all leave lasting impressions as well. Samuel L. Jackson stood out the most to me, his lack of substantial screen time may have cost him the Oscar. Just an amazing accomplishment, all involved deserve recognition. Easily 5 stars out of 5.
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