The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate and other historical events unfold through the perspective of an Alabama man with an IQ of 75, whose only desire is to be reunited with his childhood sweetheart.
Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. The lives of these seemingly unrelated people are woven together comprising of a series of funny, bizarre and uncalled-for incidents.Written by
Vincent mentions that European cinemas serve beer, unlike in America. In the twenty-first century, it is now commonplace for movie theaters to serve alcohol. See more »
(at around 2h 10 mins) When Jules and Vincent are in the Hawthorne Grill diner at the end of the movie, the ice in their water glasses changes. At one point, it's completely melted. Seconds later, ice reappears in the glasses. See more »
Forget it. Too risky. I'm through doing that shit.
You always say that. That same thing every time, "I'm through, never again, too dangerous".
I know that's what I always say. I'm always right, too.
But you forget about it in a day or two.
Yeah, well the days of me forgetting are over, and the days of me remembering have just begun.
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Emil Sitka . . . "Hold Hands, You Love Birds!" See more »
During the scene where Bruce Willis is drying himself off after the shower, the TV version digitally stretches his towel so it covers him up. See more »
Pulp Fiction, despite borrowing from just about every movie ever made, is the most invigorating cinema experience a filmgoer can ever hope for. Its hodgepodge of violence, mayhem, and generally deviant behavior is an assault on the senses, not to mention political correctness. However, despite all the film's cleverness and style, it hinges on the performance put forth by Samuel L. Jackson as Jules. The fact that he was denied an Oscar is a downright shame. Martin Landau, the best supporting actor winner that year, was terrific and funny in Ed Wood, but Jackson was perhaps the most commanding screen presence in film history as the bible-quoting, godfearing hitman. The last scene in the coffee shop with Tim Roth still sends chills down my spine, no matter how many times I've seen it. Rumors of a prequel involving Jules and Vincent (John Travolta) have been floating around lately. If Quentin Tarantino wishes to regain the fans he lost with the dissapointing (but still pretty good) Jackie Brown, he should get to work right away. I'll be the first in line to see the finished product.
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