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The Call of the Road (1920)

In 1820 a disowned gambler becomes a boxer and save his noble uncle from a highway man.

Director:

A.E. Coleby
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Cast

Credited cast:
Victor McLaglen ... Alf Truscott
Phyllis Shannaw Phyllis Shannaw ... Lady Rowena
Warwick Ward ... Lord Delavel
Philip Williams Philip Williams ... Sir Martin Trevor
A.E. Coleby A.E. Coleby ... Punch Murphy
Adeline Hayden Coffin Adeline Hayden Coffin ... Lady Ullswater
Ernest A. Douglas Ernest A. Douglas ... Silas
Henry Nicholls-Bates Henry Nicholls-Bates ... Paganini Primus
Barry Furness Barry Furness ... Pagnini Secundus
Fred Drummond Fred Drummond ... Hammer John
Olive Bell Olive Bell ... Miller's Wife
Rest of cast listed alphabetically:
Cyril McLaglen Cyril McLaglen
Tom Ronald Tom Ronald ... Master Alfred's Man
Eric Royce Eric Royce ... Master Ulleswater
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Storyline

In 1820 a disowned gambler becomes a boxer and save his noble uncle from a highway man.

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Plot Keywords:

gambler | highwayman | boxing | See All (3) »

Genres:

Adventure

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Details

Country:

UK

Release Date:

October 1920 (UK) See more »

Company Credits

Production Co:

I.B. Davidson See more »
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Technical Specs

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Debut of Victor McLaglen. See more »

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User Reviews

 
Remember that "The Call of the Road" is an early silent film.
20 July 2015 | by mclaglencynthiaSee all my reviews

One reminds oneself that it is a Silent film and one should look at it with early 20th century eyes; the characters become more interesting and the main character establishes himself and is very likable and strong at the same time. The piano player who plays in the stalls next to the audience, is a very important element as it always was in silent film, so an added orchestral sound would be very important indeed. The film used the other characters in the story to strengthen and establish the main one, who has fallen from grace with his gambling mistakes. It is a gentle fairy tale set a long time ago when language was different and that partly gives it it's quaintness. Strange to see Victor McLaglen, as a fully grown rather handsome young man, who already has signs of his pugilistic abilities. Different from the older, sometimes angry older actor of the late 20th century, but we recognise the smile and the wonderful sense of humour. What a change we have here to a more romantic, younger and gentle actor who was to win an Oscar in 1935 for, "The Informer". This film gives one a happy feeling.


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