A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day.Written by
In the original version of the script by Danny Rubin, Phil Connors was already trapped inside Groundhog Day at the start of the story. We joined him on a typical day, with the audience wondering how he knew everything that was going to happen. Harold Ramis promised not to change this aspect of the script, but ultimately decided to do so. See more »
On the third morning, Phil rushes out of the hotel without interacting with the chubby guest and the female hotel proprietor, which should put him ahead of schedule. However, as he exits the hotel, the piano teacher has already crossed the street, and his encounters in town (e.g., Ned) occur on schedule. See more »
Somebody asked me today, "Phil, if you could be anywhere in the world, where would you like to be?" And I said to him, "Prob'ly right here - Elko, Nevada, our nation's high at 79 today." Out in California, they're gonna have some warm weather tomorrow, gang wars, and some *very* overpriced real estate. Up in the Pacific Northwest, as you can see, they're gonna have some very, very tall trees.
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Some DVD versions have the missing scene in its original form. See more »
Quartet No. 1 in D - The Ground Hog
Performed by Bruce Duvok See more »
Ingenious concept, enthusiastically presented.
Bill Murray can be a very funny guy, especially when given roles where his character has a deliciously cruel edge. He has one of those faces, and a voice to go with it, which can make nastiness and sarcasm funny. Groundhog Day is a highly enjoyable vehicle for Murray's talents. It also has a very clever concept, neatly brought to the screen by actor-turned-director Harold Ramis (who starred alongside Murray in the Ghostbusters films).
Pittsburgh weather-man Phil Connors (Bill Murray) is sent on assignment to Punxatawney, where on Groundhog Day each year the locals have a tradition of consulting the groundhog to find out if spring is imminent or if they should prepare for 6 more weeks of winter. Phil despises the job and the town, and can't wait to get it over with.... even though he has a soft spot for Rita (Andie MacDowell), the producer overseeing his broadcast. Phil's dislike of Punxatawney, its people and its traditions is set to get a hell of a lot worse though.... as when he awakens the next morning he finds himself reliving the same day. And so it goes - every time Phil gets up, it's still February 2nd and he seems destined to be stuck in the same day for the rest of eternity.
It seems early on in the proceedings that the film might run out of steam and inspiration. After all, how can a film about a day which repeats itself be anything but repetitive? Thankfully, Groundhog Day is full of ingenious ideas, and it successfully throws up new developments and delightful twists at every opportunity. The film is laced with memorable dialogue, and Murray gets to play one of the defining roles of his career as a facetious, sharp-tongued misanthrope who ultimately learns the error of his ways. Groundhog Day is a very good film indeed, and restores one's faith in the imagination still lurking beneath the dismayingly shallow surface of Hollywood.
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