A hugely talented but socially isolated computer operator is tasked by Management to prove the Zero Theorem: that the universe ends as nothing, rendering life meaningless. But meaning is what he already craves.
After hearing a popular DJ rail against yuppies, a madman carries out a massacre in a popular New York bar. Dejected and remorseful, the DJ strikes up a friendship with Parry, a former professor who became unhinged and then homeless after witnessing his wife's violent death in the bar shooting. The DJ seeks redemption by helping Parry in his quest to recover an item that he believes is the Holy Grail and to win the heart of the woman he loves.Written by
Jim Sanders and Determined Copy Editor
(at around 4 mins) When in the limo, the camera sees Jack facing the back of the limo with a cassette tape deck to his right, his manager sitting across from him. The time on the deck clock says "2:24." Considering the clock in the studio (previous to the overhead of the street) says "8:00" and he is signing off, there is a 6 1/2 hour difference between the two clocks. When the camera cuts to his manager and back to see the man in the window, the clock has advanced 11 minutes, cut to the manager, back to Jack, the clock has gone back to 2:24. See more »
Robin Williams should have won an Oscar for this movie
"The Fisher King" is one of those movies that shows how, although we can't get over certain incidents, they may end up leading to our redemption. Jeff Bridges plays Jack Lucas, a New York radio talk show host. One day, he makes a mean remark to one of his listeners, and the listener murders some people. When it gets reported that the man had done this after a remark by Lucas, Jack knows that his career is over, but also realizes how he has been affecting people.
Some years later, Jack is wondering the streets and meets Parry (Robin Williams), a homeless man whose mind is gone. Parry believes Jack to be a sort of hero and Jack can't get him to think otherwise. So, the two accompany each other from then on.
Probably the movie's most interesting aspect was how director Terry Gilliam shows what is happening in Parry's imagination, contrasting it with reality. The Red Knight and Holy Grail make for some unusual scenes. This may be Robin Williams' best performance ever.
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