IMDb RATING
7.2/10
11K
YOUR RATING
A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.
- Awards
- 1 win
Lillian Gish
- Lucy - The Girl
- (as Miss Lillian Gish)
Richard Barthelmess
- Cheng Huan - The Yellow Man
- (as Mr. Richard Barthelmess)
Edward Peil Sr.
- Evil Eye
- (as Edward Peil)
Ernest Butterworth
- Secondary Role
- (uncredited)
Frederic Hamen
- Secondary Role
- (uncredited)
Wilbur Higby
- London Policeman
- (uncredited)
Man-Ching Kwan
- Buddhist Monk
- (uncredited)
Bobbie Mack
- Ringside Employee
- (uncredited)
Moy Ming
- Minor Role
- (uncredited)
Steve Murphy
- Fight Spectator
- (uncredited)
George Nichols
- Police Constable
- (uncredited)
Karla Schramm
- Burrows' Girlfriend
- (uncredited)
Bessie Wong
- Girl in China
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film was produced by D.W. Griffith for Adolph Zukor's Artcraft company, a subsidiary of Paramount Pictures. However, when Griffith delivered the final print of the film to Zukor, the producer was outraged. "How dare you deliver such a terrible film to me!" Zukor raged. "Everybody in the picture dies!" Infuriated, Griffith left Zukor's office and returned the next day with $250,000 in cash, which he threw on Zukor's desk. "Here," Griffith shouted, "If you don't want the picture, I'll buy it back from you." Zukor accepted the offer, thus making this the first film released by United Artists, the production company formed in 1919 by Mary Pickford, Charles Chaplin, Douglas Fairbanks, and Griffith. It was a remarkably successful film, both critically and at the box office.
- GoofsThe intertitles state, "The Buddha says, 'What thou dost not want others to do thee, do thou not to others.'" It was actually not the Buddha but Confucius' teaching.
- Quotes
Lucy Burrows: Don't do it, Daddy! You'll hit me once too often - and then they'll - they'll hang yer!
- ConnectionsFeatured in The Philco Television Playhouse: The Birth of the Movies (1951)
Featured review
"In this scarlet house of sin, does he ever hear the temple bells?" Broken Blossoms is the movie I use to introduce people to silent film who only know it from Chaplin shorts or Birth of a Nation. It is one of the most sensitive movies ever made, in my opinion, and is usually overlooked in any top 100 movie listing. I fear the oversight is due to the listers not having actually seen it.
The version I have--which is now sadly out of print--is the Thames Video version with Lillian Gish's introduction. It is also the one with the original Louis Gotshalk score, pieces of which are sometimes heard on other versions, but the impact of the full orchestral Gotshalk score is overwhelming on an already exquisite film. If you have a chance to see this version, by all means do so.
In answer to a question in another posting, the movie WAS originally tinted--it was part of the "epic poetry" attempt and was quite common with a lot of Griffith work--even back to "A Corner in Wheat".
While I am an immense Gish fan, a lot has already been said about Miss Lillian in the other comments, so I will concentrate on Dick Bartlemess as Chen Huan. The quote above accompanied by his sad look as he leans against the wall of his curio shop tell it all: wrecked youthful enthusiasm--his despair only temporarily abated by the "pipe" in the Limehouse opium dens. His dreams of youth, all packed away in his garret, are only brought out when the one thing that gives him hope that is goodness amidst all the squalor stumbles into his shop.
Only after Lucy arrives can Chen Huan allow himself to dream--to return to golden days of learning, beauty and goodness and ideals. He literally places his dreams of his lost youth on the trembling body of Lucy, but it such a pristine ideal he dare not "defame" it, or it too will disappear like all his other dreams. He must observe it from afar--almost ephemeral. He knows what Hell is like (even before he was shown the booklet by the Christian Brothers). His hell is his lost heart, his lost love. "Bits and pieces of his shattered life." Almost invariably when I find someone to share the movie with me, they are amazed how well it is made and how well it's core story stands up to today. The particulars of Chinese, Cockney and London are not the point; it is a story of hope and despair, of lovers and dreamers. A mature story for a mature audience.
I often wonder if it could be made today. As open as we think we are, I wonder if the basic story could be told again. No matter--it's been told--excellently
The version I have--which is now sadly out of print--is the Thames Video version with Lillian Gish's introduction. It is also the one with the original Louis Gotshalk score, pieces of which are sometimes heard on other versions, but the impact of the full orchestral Gotshalk score is overwhelming on an already exquisite film. If you have a chance to see this version, by all means do so.
In answer to a question in another posting, the movie WAS originally tinted--it was part of the "epic poetry" attempt and was quite common with a lot of Griffith work--even back to "A Corner in Wheat".
While I am an immense Gish fan, a lot has already been said about Miss Lillian in the other comments, so I will concentrate on Dick Bartlemess as Chen Huan. The quote above accompanied by his sad look as he leans against the wall of his curio shop tell it all: wrecked youthful enthusiasm--his despair only temporarily abated by the "pipe" in the Limehouse opium dens. His dreams of youth, all packed away in his garret, are only brought out when the one thing that gives him hope that is goodness amidst all the squalor stumbles into his shop.
Only after Lucy arrives can Chen Huan allow himself to dream--to return to golden days of learning, beauty and goodness and ideals. He literally places his dreams of his lost youth on the trembling body of Lucy, but it such a pristine ideal he dare not "defame" it, or it too will disappear like all his other dreams. He must observe it from afar--almost ephemeral. He knows what Hell is like (even before he was shown the booklet by the Christian Brothers). His hell is his lost heart, his lost love. "Bits and pieces of his shattered life." Almost invariably when I find someone to share the movie with me, they are amazed how well it is made and how well it's core story stands up to today. The particulars of Chinese, Cockney and London are not the point; it is a story of hope and despair, of lovers and dreamers. A mature story for a mature audience.
I often wonder if it could be made today. As open as we think we are, I wonder if the basic story could be told again. No matter--it's been told--excellently
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Details
- Release date
- Country of origin
- Language
- Also known as
- Broken Blossoms or the Yellow Man and the Girl
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $88,000 (estimated)
- Runtime1 hour 30 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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