Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
Charlie competes with his fellow shop assistant. He is fired by the pawnbroker and rehired. He nearly destroys everything in the shop and himself. He helps capture a burglar. He destroys a client's clock while examining it in detail.
Poor Charlie lives in a vacant lot. He tries to get a job but when he gets to the head of the employment line the jobs are gone. Back "home" he rescues Scraps, a bitch being attacked by other strays. Together they manage to steal some sausages from a lunch wagon. They enter a dance hall where Edna is a singer and unwilling companion to the clientele. He is thrown out when he can't pay. Back "home" Scraps digs up a money-filled wallet buried by crooks. They return to the dance hall to find Edna fired. The wallet goes back and forth between Charlie and the crooks. Charlie, Edna and Scraps end up very happily.Written by
Ed Stephan <firstname.lastname@example.org>
A Dog's Life has more layers than the usual Chaplin films, taking the character slightly more literally than he usually does. The overall appeal of Chaplin's Little Fellow is that he is such an everyman that he can be thrust into an almost endless multitude of situations, and Chaplin uses his limitless talent to mold it into brilliant, humanitarian farce. In this film, the little tramp is more of a homeless fellow than usual (I think he's usually just poor and struggling), and in the process he be-friends another homeless and struggling tramp.
There are some great scenes in the film, although even at only 40 minutes it is a bit too long for the material to support. One scene in particular, where Charlie knocks a bully unconscious, is going to be the most memorable one in the movie, along with a scene where he outsmarts some police officers. There is a charming romance that is neither cloying nor overly involving, just the right amount for a short, light-hearted comedy. This probably would have worked even better as a two reel film, but as it is it stands as one of Chaplin's better three reelers.
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