Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). He loves the ... See full summary »
Olive Ann Alcorn
Poor Charlie lives in a vacant lot. He tries to get a job but when he gets to the head of the employment line the jobs are gone. Back "home" he rescues Scraps, a bitch being attacked by other strays. Together they manage to steal some sausages from a lunch wagon. They enter a dance hall where Edna is a singer and unwilling companion to the clientele. He is thrown out when he can't pay. Back "home" Scraps digs up a money-filled wallet buried by crooks. They return to the dance hall to find Edna fired. The wallet goes back and forth between Charlie and the crooks. Charlie, Edna and Scraps end up very happily.Written by
Ed Stephan <firstname.lastname@example.org>
The dog in this film, Scraps (real name Mut), became so attached to Charles Chaplin during filming that when Chaplin went on a Liberty Bond tour immediately after production, the dog died three weeks later of a supposed broken heart. See more »
During the fight at the lunch cart, one of the props holding up the awning gets knocked away. In subsequent shots, the prop is back in place. See more »
By the time he made `A Dog's Life', Charlie Chaplin was already a master of cinematic comic timing. Editing techniques had not developed to the point at which they would be much help to Chaplin's physical comedy gags, so laughs required expertly handled choreography. Chaplin must have rehearsed countless takes to get each scene just right. The incredible opening sequence, seemingly shot all in one take, is particularly amazing. Chaplin and his fellow actors synchronize their movements perfectly so that, no matter what action they undertake, they always arrive on opposite sides of the fence at the exact same moment. Additionally, they make each movement at a natural pace so that, rehearsed though they may be, their motions always seem spontaneous and believable. You never get the sense that Chaplin or the policemen are speeding up or slowing down.
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