7.2/10
63,193
463 user 138 critic

Day of the Dead (1985)

Not Rated | | Horror, Thriller | 19 July 1985 (USA)
Trailer
1:58 | Trailer
A small group of military officers and scientists dwell in an underground bunker as the world above is overrun by zombies.

Director:

George A. Romero
Reviews
Popularity
4,677 ( 467)
2 wins. See more awards »

Videos

Photos

Edit

Cast

Cast overview, first billed only:
Lori Cardille ... Sarah
Terry Alexander ... John
Joseph Pilato ... Rhodes (as Joe Pilato)
Jarlath Conroy Jarlath Conroy ... McDermott
Anthony Dileo Jr. Anthony Dileo Jr. ... Miguel (as Antonè DiLeo)
Richard Liberty Richard Liberty ... Logan
Sherman Howard ... Bub (as Howard Sherman)
Gary Howard Klar ... Steel (as G. Howard Klar)
Ralph Marrero Ralph Marrero ... Rickles
John Amplas ... Ted Fisher
Phillip G. Kellams Phillip G. Kellams ... Miller
Taso N. Stavrakis ... Torrez
Greg Nicotero ... Johnson (as Gregory Nicotero)
Don Brockett ... Featured Zombie
William Cameron ... Featured Zombie
Edit

Storyline

Zombies rule the world, except for a small group of scientists and military personnel who reside in an underground bunker in Florida. The scientists are using the undead in gruesome experiments; much to the chagrin of the military. Finally the military finds that their men have been used in the scientists' experiments, and banish the scientists to the caves that house the Living Dead. Unfortunately, the zombies from above ground have made their way into the bunker. Written by Matt Puskas <s0047192@monteagle.niagara.edu>

Plot Summary | Plot Synopsis

Taglines:

First there was "Night of the Living Dead" then "Dawn of the Dead" and now the darkest day of horror the world has ever known See more »

Genres:

Horror | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

George A. Romero: [clown] The first film in Romero's "Dead" series to have a clown zombie, as also seen in Land of the Dead (2005) and Diary of the Dead (2007). See more »

Goofs

When the soldiers see the zombies coming down on the platform, Rhodes escapes in the opposite direction on a cart, meeting several zombies on the way (he even hits one). These zombies are not coming from the platform as some people erroneously think (which would indeed be impossible). They come from the mine, as the mine gate has been breached (revealed in preceding shots). See more »

Quotes

[first lines]
McDermott: Nothing, nothing at all.
Sarah: Send again.
McDermott: I've been sending up and down the coast from Sarasota to the Everglades and still getting back the same dead air. There's nothing! There's nobody or at least nobody with a radio.
Sarah: All right then let's set down, we'll use the bullhorn.
McDermott: Set down? Wait a minute, that's not in our contract!
Sarah: It's the biggest city within 150 miles and we're going to give it every chance.
McDermott: Jesus, Mary and Joseph!
Sarah: Set down, John!
John: I'll set us down. But I won't leave my seat and ...
See more »

Alternate Versions

On the 2003 Anchor Bay, 2-disc, Region 1 release some of Steel's (Gary Klar) dialogue has been overdubbed. This is most noticeable when Steel and Rickles realise the elevator has been sabotaged and Steel says "fuck" instead of "Jesus" as in the original version. The voice used is not Gary Klar's and sounds nothing like him. See more »

Connections

Follows Dawn of the Dead (1978) See more »

Soundtracks

If Tomorrow Comes
(uncredited)
Composed by Jim Blazer, John Harrison and Sputzy Sparacino
Performed by Modern Man
Vocals Performed by Sputzy Sparacino and Delilah
Keyboard, Strings & Drum Programming Arrangements by Jim Blazer
Produced by Tom Cossie
See more »

User Reviews

A long-time sufferer of the "Alien 3 Syndrome"
7 September 1999 | by Robin-97See all my reviews

"Day of the Dead" is a film that is an unfortunate sufferer of the "Alien 3 Syndrome". And, no, I don't classify those that are affected by the syndrome to be disappointing final entries in a trilogy. To suffer from "Alien 3 Syndrome", you must follow two exceptional films, and the entry that has preceded you must be so exciting and action-packed that when you dare take a grimmer, more deliberately paced approach to your material, you will become universally reviled, with many people failing to notice that you have more than your fair share of merits on your own. In fact, "Day of the Dead" has a LOT of merits - even more than the film that its syndrome is based on. While it doesn't quite approach the greatness of "Dawn of the Dead", it is still an intelligent, first-rate horror effort and stands as one of the best genre films of the 80s.

In this final entry of George Romero's "Living Dead" trilogy, the walking dead supposedly outnumber the humans by a ratio of 400,000 to 1. Twelve people who have devoted themselves to studying and wiping out the zombies hole up together in an underground missile silo, and for all we know, these could be the last twelve living humans on the face of the planet. Most of these people don't capture our sympathy like the foursome who holed up in the shopping mall in "Dawn". Half of them are gung-ho soldiers who seem to take great pleasure in threatening the scientific team, and Romero spends much of the first half focusing on the bickering and intense conflicts between these people. In fact, for over an hour, the hordes of living dead get very little screen time, as the story focuses on the tension between the characters, and the efforts of an off-the-wall scientist to train a captured zombie named Bub to act human. Compared to its predecessors, this long section of the film may seem slow and talky, but it is always interesting and, for the most part, effectively performed by its unknown cast. Besides, it all eventually leads up to a corker of finale when the zombies finally invade the compound, and most of the humans become showcases for the brilliance of Tom Savini, who outdoes even himself in the gore F/X department.

While most of this material is very grim, "Day" ironically has the most hopeful, upbeat conclusion in the trilogy - which, alas, is its only major shortcoming. The quick transition to the final scene is so abrupt and unexpected that the audience feels cheated, leaving the impression that the production ran out of money before the whole climax could be filmed. Indeed, Romero has often expressed his unhappiness about being underfunded for this project, which prevented him from creating a truly definitive final chapter for the trilogy. But while "Day of the Dead" may not quite be the ultimate finish to one of the greatest trilogies of all time, it is still a very satisfying conclusion (at least until Romero gets funding for his long-rumoured "Twilight of the Dead"). It may not be popular among everyone, due to many unfair comparisons to its superior predecessors, but on its own, it is about as good as horror films get.


142 of 185 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 463 user reviews »

Frequently Asked Questions

See more »
Edit

Details

Country:

USA

Language:

English

Release Date:

19 July 1985 (USA) See more »

Also Known As:

George A. Romero's Day of the Dead See more »

Filming Locations:

Sanibel Island, Florida, USA See more »

Edit

Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend USA:

$1,700,000, 21 July 1985

Gross USA:

$5,000,000

Cumulative Worldwide Gross:

$5,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Unrated Edition) | (Sci-Fi Channel) (TV)

Sound Mix:

Mono | 4-Track Stereo (Zombieing Sound System) (Japan theatrical release)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

Contribute to This Page



Recently Viewed