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Once Upon a Time in America (1984)

R | | Crime, Drama | 1 June 1984 (USA)
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A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

Director:

Sergio Leone

Writers:

Harry Grey (novel), Leonardo Benvenuti (screenplay) | 6 more credits »
Reviews
Popularity
674 ( 26)
Top Rated Movies #70 | Nominated for 2 Golden Globes. Another 11 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert De Niro ... Noodles
James Woods ... Max
Elizabeth McGovern ... Deborah
Treat Williams ... Jimmy O'Donnell
Tuesday Weld ... Carol
Burt Young ... Joe
Joe Pesci ... Frankie
Danny Aiello ... Police Chief Aiello
William Forsythe ... Cockeye
James Hayden James Hayden ... Patsy
Darlanne Fluegel ... Eve (as Darlanne Fleugel)
Larry Rapp ... Fat Moe
Dutch Miller Dutch Miller ... Van Linden
Robert Harper ... Sharkey
Richard Bright ... Chicken Joe
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Storyline

Epic tale of a group of Jewish gangsters in New York, from childhood, through their glory years during prohibition, and their meeting again 35 years later. Written by Andrew Welsh <andreww@bnr.ca>

Plot Summary | Plot Synopsis

Taglines:

As boys, they said they would die for each other. As men, they did. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, sexual content, language and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Italy

Language:

English | Italian | French

Release Date:

1 June 1984 (USA) See more »

Also Known As:

Once Upon a Time in America See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$2,412,014, 3 June 1984, Wide Release

Gross USA:

$5,321,508
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (re-cut) | (extended cut)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Joe Pesci suggested Larry Rapp for the role of Fat Moe, having worked with him in Dear Mr. Wonderful (1982). See more »

Goofs

One of the cars parked outside Secretary Bailey's (Max's) mansion in 1968 was a silver 1971 Cadillac Eldorado convertible. See more »

Quotes

[first lines]
[In 1933, two goons rudely question a young woman]
Beefy: Where is he? Where's he hiding?
Eve: I don't know... I've been looking for him since yesterday.
[second goon slaps her harshly; she falls onto the bed]
Beefy: I'm gonna ask you for the last time: Where is he?
Eve: I don't know... What are you gonna do to him?
[Two shots are heard]
Beefy: [to his partner] Stay here in case that rat shows up...
See more »

Crazy Credits

Joey Faye is credited as the "adorable old man." See more »

Alternate Versions

A network television version of three hours (without commercials) was briefly available in the early-to-mid-1990s, which retained the film's non-chronological order but still left out several key scenes. This version has recently turned up in viewings of the film for the AMC TV channel. See more »

Connections

Referenced in Goodfellas (1990) See more »

Soundtracks

Yesterday
Words and Music by John Lennon and Paul McCartney
Courtesy of Northern Songs Ltd./ATV Music
See more »

Frequently Asked Questions

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User Reviews

Dull
9 November 2002 | by iheartkpSee all my reviews

This has to be the most boring gangster film I've ever seen. Basically it's about Robert DeNiro and James Wood's friendship over fifty years or so as they rise and fall in the gang world. It's interesting to do it about Jewish gangsters, because most films center on Italian gangsters, but their being Jewish didn't seem to make much difference in the film. DeNiro and Woods were subdued, and I didn't buy for a second that they actually might care about one another. The female lead and DeNiro had no chemistry. Leone centered more on cinemetography than story, and the little story there was was painfully streched out to almost three and a half hours. Speaking of the cinemetography- sure there were some very nice images, but basically they were going for the same look as "The Godfather" only maybe with a little more of a golden nostolgia feel for it. I don't mind slowly paced films, but that deliberate pace must be used to draw the viewer into the film, the pace of "Once Upon a Time," just makes the viewer wish that he had commited suicide instead of having to watch it. I'm not a big gangster film fan, but this one ranks low among gangster films. It lacks the visual pop of "Goodfella's," the emotional intensity of "Miller's Crossing," the cultural/historic significance of "Godfather," the moralistic elements of "Angels with Dirty Faces," or the acting prowess of "White Heat." And it is certainly a lot more boring than any of the above films listed.


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