A young boy, Conan, becomes a slave after his parents are killed and tribe destroyed by a savage warlord and sorcerer, Thulsa Doom. When he grows up he becomes a fearless, invincible fighter. Set free, he plots revenge against Thulsa Doom.
James Earl Jones,
Max von Sydow
The wandering barbarian, Conan, alongside his goofy rogue pal, Malak, are tasked with escorting Queen Taramis' virgin niece, Princess Jehnna and her bodyguard, Bombaata, to a mystical island fortress. They must retrieve a magical crystal that will help them procure the horn that legends say can awaken the god of dreams, Dagoth. Along the way, Conan reunites with the wise wizard, Akiro and befriends the fierce female fighter, Zula. Together the heroes face ancient traps, powerful Wizards, plots of betrayal, and even the dream god, Dagoth, himself!Written by
Tim Harrison Snlmidgit@hotmail.com
Upon the film's climax, Conan is seen in the closing epilogue sitting upon his throne many years after the events of this film as a king by his own hand. He is decorated as such and has by his side two weapons, a spear/staff and a sword. The sword however is not his Atlantean sword he discovered in the first film that he carries and uses throughout out that film and this one. It is in fact the sword shown being made by his father at the opening prologue of Conan the Barbarian (1982) that was intended to be given to Conan that was subsequently stolen after his parents were killed. The sword was rediscovered and broken by Conan himself during a duel many years later and the broken sword was used to behead Thulsa Doom who had been responsible for the deaths of Conan's family. The sword was then discarded and tossed away and left to burn along with the ruins of Thulsa Doom's castle and was never seen again. See more »
(at around 49 mins) During the opening sequences between the sword fight with Togra and Conan. You can see Togra wearing a long cape in the long shot. When they do a closeup of Togra drawing his sword, he's not wearing the cape anymore, but when they charge at each other on horseback Togra is wearing his cape again. When the swords clash in the closeup, the cape is once again missing for the rest of the fight. See more »
Akiro 'The Wizard':
Between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world. Hither came Conan, the Cimmerian, sword in hand. It is I, his chronicler, who knows well his saga. Now, let me tell you of the days of high adventure.
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UK cinema and video versions were cut by 28 secs to remove horsefalls and shots of a camel being hit on the head. The 2004 Sanctuary DVD had similar cuts (reduced to 19 secs) but received an additional cut to a scene where Conan punches a horse. Both scenes were included in High Fliers UK Blu-ray release. See more »
Boy, did this one take a wrong turn at Albuquerque! Although it's still pretty entertaining, it's played far too much for laughs.
Ahnuld is back, and this time he gets more dialogue, a big mistake. He sounds more than a little ridiculous with a large part of his dialogue. Instead of Gerry Lopez, we have Tracy Walter, a fine actor, but too comedic for this (yeah, he's the comic relief, but Conan shouldn't have comic relief). Mako is good and Sarah Douglas sizzles as always. Grace Jones, well, is Grace Jones. If you are looking for subtlety, look elsewhere. And, speaking of subtlety, there's "Wilt, the Stilt." As an actor, Wilt makes a great basketball player. Olivia D'Abo is cute, but little else.
The movie has its moments and the finale is pretty good, but there's a lot of junk in the middle. The fight between Conan and Toth-Amon (Pat "Bomber" Roach) is fantastic, but the campfire scenes after are just plain stupid. Tracy Walter's character gets annoying with the constant Shaggy and Scooby jokes (you know, "I'll wait here. Wait for me!"). The basic story is good and in keeping with Conan traditions, but it descends into camp at the worst times.
Roy Thomas and Gerry Conway were quite familiar with Conan, having written the character for Marvel Comics. How much of their story is in the final film is a puzzler. The elements that work are straight out of Howard and Roy Thomas' comics. The goofier stuff, who knows?
The first film was epic adventure. This is more of a glorified B-movie. It's fun when you have a group of friends together and can "MST3K" it; but as cinema, it's not 20,000 Leagues Under the Sea. Director Richard Fleischer has done better. Still, it's a great "guilty pleasure" film.
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