As a contemporary audience, we often approach silent films with an attitude of condescension. This initial sentiment lowers expectations but draws our attention to the everyday grammar of film language that we take for granted. Suddenly the glance object cut, the pan right and tilt down showing the elaborate ornamentation in the cathedral and the sparsely used close-ups become all the more impressive because we hold it to the standard of a silent film. While Father Sergius still suffers from the silent film dilemma of having the dominant influence of other mediums (such as theater and literature) it is exciting to see modern day film techniques in the infantile stage. Father Sergius is a silent film epic detailing the life of Prince Kasatsky from his years in school to his eventual position as a budding young officer. After discovering the woman he loves is the mistress to the Czar, the prince pursues a lifestyle devoid of succumbing to any and all earthly temptation as he transforms himself into the "saintly" Father Sergius. In a startling special effects sequence, Kasatsky regrets his decision longing for his former lover as she enters the frame as a ghostly spirit. Regardless of any standard preconceived silent film notions, the coordination, blocking and deep focus photography in the crowd scenes are remarkable. Also astonishing is the controversial acknowledgement of extra marital affairs within the royal family as well as the message of the film that seems to promote the excessive bourgeois lifestyle over the life of a clergyman. The regret that endures in Father Sergius suggests a longing for a life of excess, power and respect. Although arriving at a period where films were still testing the capacity of cinema, Father Sergius is an enjoyable experience of Russian cinema finding its footing.
