Cast overview, first billed only: | |||
Aleksey Petrenko | ... | Grigori Rasputin | |
Anatoliy Romashin | ... | Nicholas II | |
Velta Line | ... | Aleksandra Fyodorovna | |
Alisa Freyndlikh | ... | Vyrubova | |
Aleksandr Romantsov | ... | Yusupov (as A. Romantsov) | |
Yuriy Katin-Yartsev | ... | Purishkevich | |
Leonid Bronevoy | ... | Manasevich-Manuilov | |
Pavel Pankov | ... | Manus | |
Mikhail Danilov | ... | Andronnikov | |
Mikhail Svetin | ... | Terekhov | |
Nelli Pshyonnaya | ... | Baroness | |
Aleksey Vanin | ... | Vospitatel cesarevitcha | |
Lyudmila Polyakova | ... | Paraskeva | |
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Olga Grigoreva | ... | Yurodivaya |
Boris Romanov | ... | Balashov |
Russia, 1916. Be it by craft or madness, Rasputin exercises power over the indecisive Nicholas, and the religious Czarina worships the Siberian as God. He manipulates the Czar in his relations with the Duma and influences the choice of a new premier. Rasputin assaults a baroness; her husband is jailed for defending her, and she must offer sexual favors to Rasputin to save her husband. The Czar finally orders Rasputin from St. Petersburg, but somehow he enters the palace and, in a disheveled trance, convinces the Czar to make a disastrous change in war strategy. A cadre of nobles take matters into their own hands and arrange a last dinner party for the interloping monk. Written by <jhailey@hotmail.com>
a special film. at first sigh, about a man who was in many others movies used as exotic character. in this case , he represents only the pretext. for a story about a profound crisis, for the chronicle of the fall premises of a monarchy. in same measure, it is a manifesto. the reaction of Soviet authorities about it is the basic argument. because the realities presented by Elem Klimov are against the entire portrait of Tsarist regime presented by official sources. and Rasputin himself is not exactly the expected one. but the film is, in same measure, less than a tool of political opposition. it is an analysis of Russia. the Russia from yesterday and today. the Russia of illusions and leaders and incertitude, hope and faith. and this facts does it a special film. because the fragments of documentary film reminds the powerful shadows behind the artistic purposes.