Cast overview, first billed only: | |||
Woody Allen | ... | Isaac | |
Diane Keaton | ... | Mary | |
Michael Murphy | ... | Yale | |
Mariel Hemingway | ... | Tracy | |
Meryl Streep | ... | Jill | |
Anne Byrne Hoffman | ... | Emily (as Anne Byrne) | |
Karen Ludwig | ... | Connie | |
Michael O'Donoghue | ... | Dennis | |
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Victor Truro | ... | Party Guest |
Tisa Farrow | ... | Party Guest | |
Helen Hanft | ... | Party Guest | |
Bella Abzug | ... | Guest of Honor | |
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Gary Weis | ... | Television Director |
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Kenny Vance | ... | Television Producer |
Charles Levin | ... | Television Actor #1 |
Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary... Written by Huggo
As you peek into an another episode from the life of Woody Allen, the first thing you'll notice is the rich cinematography (obviously influenced by Bergman which is proved by some remarks on account of him during the film). Another thing that contributes to the overall vibe of the movie is a quality smooth jazz soundtrack.
Although visually stunning and iconic, this flick does have a slight drawback which is the screenplay. Despite Allen's never disappointing deadpan humor and his natural delivery of the lines, the story does tend to get a bit predictable at times.
But the thing that gives this movie its true quality is a beautiful portrayal of New York, especially in the opening sequence.