It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him. Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will...Written by
The original choice for the soundtrack was to be done by Isao Tomita, as Francis Ford Coppola liked his version of Holst's Planets. Tomita even travelled to the Philippines to see the filming. Because Tomita's contract was with RCA, and the film was released through United Artists, he could not compose the score. See more »
In the opening scene when Willard is in his apartment, before he punches the mirror there is already a blood stain on his sheets. See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room, ...
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There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film...... When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theater goers in lieu of any credits. When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed. When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score. The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members. See more »
A longer director's cut, titled "Apocalypse Now Redux", debuted on 11 May 2001 at the Cannes film festival. This cut was re-edited by Coppola and Walter Murch and features a new Technicolor dye prints with additional footage originally left out of the theatrical release. The new version is 197 minutes long (53 minutes longer than the original version). The restored footage also includes the French plantation scenes with Aurore Clement and Christian Marquand, as well as scenes from the crew meeting the Playmates later on.
There are additional scenes when the crew is with Kilgore. During the napalm strike, he helps a wounded Vietnamese child. The napalm strike has ruined the favorable surfing conditions, so Lance and the others leave, much to Kilgore's dismay. Before they leave, Willard steals Kilgore's surfboard. Finally, just before Willard and Chef leave the boat to search for mangoes, a helicopter files by with Kilgore on loudspeaker, asking for his surfboard back. For the Final Cut version, an exchange between Willard and Chef is removed ("How am I going to shoot him next time he comes around? / Hey Chef, make some for the surfboard at the back"), avoiding the jump cut that comes directly after.
In the Playmate scenes, Willard trades two drums of oil in exchange for spending two hours with the Bunnies. We see Chef with Miss May in a helicopter, and Lance with the Playmate of the Year in a ransacked house. Miss May was once a bird trainer at Busch Gardens and tries to talk about birds with Chef while he is busy trying to get her to re-enact her photo that he showed the crew. They end up kissing and Miss May gets excited because Chef kisses like a bird. The Playmate of the Year is talking to Lance about her troubles and insecurities about being a Playmate. Clean is seen trying to barge in on both men, and when he barges in on Lance, the Playmates open a chest (in which to hide) and discovers a dead Vietnamese. Lance comforts her. Chef finds out afterwards that Clean is a virgin and starts calling him names on the boat. Willard told Chief that the whole crew can spend time with the Bunnies, but Chief refuses. This sequence was removed from the 40th Anniversary Final Cut version.
At the plantation, Chef figures that they are French first and tells them in French that they are Americans and are friends. They bury Clean with his tape player there, and eat dinner with the French. The crew eats with the staff, and Willard eats with the family. Chef wants to speak to the chef but is informed he only speaks Vietnamese. Willard is lectured about France's colonial history in Indochine as well as their military blunders. There also is a scene with Willard and Roxanne, one of the French women, smoking opium. In the Final Cut version, all of the political-related dialogue have been relegated to the background (removed), as well the earlier introduction of De Marais and some of the boat shots earlier (including an early glimpse of the Reporter) so that the focus is more on Willard and Roxanne.
At the Kurtz compound, Willard is imprisoned in an oven-like box. Kurtz appears, accompanied by a group of children. He reads to Willard from Time magazine articles about the Vietnam War. This scene was removed from the 40th Anniversary Final Cut version.
My favourite movie of all time. This was a flawed piece of work by Coppola and seeing the documentary 'Heart of Darkness' made it even more compelling. Coppola at this point was king of Hollywood after making 'the Godfather' and 'GodfatherII' and had developed the ego necessary to even dare try to make a movie like 'Apocalypse Now'. Through sheer arrogance he went to the Phillipines with a partial script and thought he would know what he would do when he got there. Just as Captain Willard thought he would know what to do once he got to Col. Kurtz's compound. And just like Willard, he DIDN'T know what he was going to do once he got there. This is such a masterpiece of American cinema, beautifully photographed and the river is such a perfect metaphor and backdrop for the story. What I like most about 'Apocalypse Now' is that it offers no answers or conclusions. Consequently, because of this open-endedness, it infuriates some viewers who like their movies to be much more obvious.
This movie defies categorization. Some call it a war movie which it isn't at all, really it is more of a personal study of man. The best pic about Vietnam is 'Platoon' in my opinion and if a viewer is seeking a retelling of the Vietnam War go there first for answers.
Coppola should be commended for his take on the bureaucracy of war which he conveys quite effectively with the meeting with Gen.Corman and Lucas (Harrison Ford) and the Playmate review. The sheer audacity of Kilgore makes him an unforgettable character and the dawn attack will always be a Hollywood classic.
It is an almost psychedelic cruise to a very surreal ending which makes it a movie not accessible to everyone. Very challenging to watch but rewarding as well. I could offer my explanations on each scene but that would be totally pointless. This movie is intended for interpretation and contemplation as opposed to immediate gratification.
A little footnote, definitely if your a first-time viewer of Apocalypse Now, watch the original version first, the 'Redux' version is, I think, more intended for the hardcore fan and is more of a curiosity than a 'new and improved' version of the movie
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