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Alien (1979)

R | | Horror, Sci-Fi | 22 June 1979 (USA)
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2:05 | Trailer
After a space merchant vessel receives an unknown transmission as a distress call, one of the crew is attacked by a mysterious life form and they soon realize that its life cycle has merely begun.

Director:

Ridley Scott

Writers:

Dan O'Bannon (screenplay by), Dan O'Bannon (story by) | 1 more credit »
Popularity
259 ( 64)
Top Rated Movies #54 | Won 1 Oscar. Another 16 wins & 20 nominations. See more awards »

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Cast

Complete credited cast:
Tom Skerritt ... Dallas
Sigourney Weaver ... Ripley
Veronica Cartwright ... Lambert
Harry Dean Stanton ... Brett
John Hurt ... Kane
Ian Holm ... Ash
Yaphet Kotto ... Parker
Bolaji Badejo ... Alien
Helen Horton ... Mother (voice)
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Storyline

In the distant future, the crew of the commercial spaceship Nostromo are on their way home when they pick up a distress call from a distant moon. The crew are under obligation to investigate and the spaceship descends on the moon afterwards. After a rough landing, three crew members leave the spaceship to explore the area on the moon. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a distress call. When one of the eggs is disturbed, the crew realizes that they are not alone on the spaceship and they must deal with the consequences. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

In space no one can hear you scream... This Halloween in theatres, everyone will hear you scream (Re-Release) See more »

Genres:

Horror | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for sci-fi violence/gore and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

UK | USA

Language:

English

Release Date:

22 June 1979 (USA) See more »

Also Known As:

Alien: The Director's Cut See more »

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Box Office

Budget:

$11,000,000 (estimated)

Opening Weekend USA:

$3,527,881, 28 May 1979

Gross USA:

$81,765,459

Cumulative Worldwide Gross:

$106,497,869
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(1979 Theatrical Version) | (2003 Director's Cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby (as Dolby Stereo)

Color:

Color (Eastman Kodak)| Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The models had to be repainted every evening of the shoot because the slime used on-set removed the acrylic paint from their surfaces. See more »

Goofs

When the Nostromo approaches the planet, there is too short time between the phases of the approach - such distances in space would require either much more time or much greater speed - in the latter case the deceleration required for orbital insertion would have lethal effect on the crew. This is not an error. Throughout the pre-landing part of the movie, time is clearly compressed, jumping forward from shot to shot. See more »

Quotes

[first lines]
Brett: This is the worst shit I've ever seen, man.
Parker: What you say? You got any biscuits over there?
Ripley: Here's some cornbread.
Parker: Cornbread. Yeah.
Lambert: I am cold.
Parker: Still with us, Brett?
Brett: Right.
Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead, man?
See more »

Crazy Credits

The title of the movie is slowly created one line at a time at the top of the screen during the opening credits, starting out with the I, then the forward slash in A and the slash in N, and then the vertical lines in L and E (so it looks like / I I I \). After that, the ensuing lines of each letter are added slowly one at a time until the title is fully visible. See more »

Alternate Versions

Ridley Scott, for the Director's Cut, slashed 10 to 15 seconds off many scenes, supposedly because he felt they dragged on a little too long. However, in a 2006 interview, the director remarked that he had been unhappy about The Director's Cut, feeling that the original was "pretty flawless" and that the additions were merely a marketing tool. See more »

Connections

Referenced in Red Dwarf: Terrorform (1992) See more »

Soundtracks

Eine kleine Nachtmusik'
by Wolfgang Amadeus Mozart (as W.A. Mozart)
See more »

Frequently Asked Questions

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User Reviews

Classic horror
16 October 2001 | by bob the mooSee all my reviews

The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.

It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.

It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)

However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.

We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.

The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.


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